Small Steps and Giant Leaps

The memory of Neil Armstrong’s first steps on the moon has personal significance to me. To honor the 50th anniversary of that achievement, I’m sharing an updated version of my story, first posted five years ago. July, 1969 I had just turned 14. I was into baseball, chess, AM radio, astronomy, and girls—not necessarily in that order. Of particular interest to me in 1969…

What’s the Story?

  Let’s have a show of hands: How many of you have been advised at some point in the course of your photographic journey to “tell a story with your images”? Okay, now how many of you actually have a clue as to what that actually means? That’s what I thought. Many photographers, with the best of intentions, parrot the “tell a story” advice…

Curing the Blues

Who doesn’t like blue skies? Well…, me. I’ll say it again: I. Don’t. Like. Blue. Skies. At least not for photography. As pleasant as blue sky is for a stroll on the beach or picnic at the park, it’s just plain boring in a picture, and I do everything in my power to avoid an empty sky in my images. Don’t believe me? Check…

Yosemite Spring

There are many (many!) beautiful sights in Yosemite, but when most people think about Yosemite, they think about waterfalls and granite. The granite is forever (virtually), but Yosemite’s waterfalls come and go with the season: exploding from the granite walls in spring, most of Yosemite’s waterfalls are bone dry by summer’s end. And some years are better than others—three springs ago, Bridalveil and Yosemite…

Get out of the way (and let the scene speak for itself)

As aggressively as I seek creative ways to express nature with my camera, and as important as I think that is, sometimes a scene is so beautiful that it’s best to just get out of the way and let the scene speak for itself. I had one of those experiences last month at Tunnel View in Yosemite. There’s a reason Tunnel View is one…

Winter Moonrise

With a wide variety of spectacular and diverse east-facing views, I can think of no better place to photograph a moonrise than Yosemite. I especially like the December full moon because it aligns so well with Half Dome, not just on the night it’s full, but on the nights leading up to the full moon. When I realized that this year’s December full moon was…

Dynamic Juxtaposition

Much of my photography is about juxtaposition of elements with the landscape. Sometimes that’s simply combining static terrestrial features, but when possible I try to add something more dynamic, such as meteorological subjects like lightning or a rainbow, or celestial objects like the Milky Way or the Moon. The challenge with dynamic juxtapositions is timing—while the meteorological juxtapositions are usually a matter of playing…

Are you tired of eclipse photos yet?

Since everyone else seems to be doing it, I thought I’d join the party…. I always schedule my Death Valley workshop to coincide with the January (or early February) full Moon, so it was just a coincidence that North America’s first super (a full Moon that’s within 90 percent of its closest approach to Earth), blue (the second full moon of a given month),…

A few words about the “supermoon”

I used to resist using the supermoon label because it’s more of a media event than an astronomical event, and it creates unrealistic expectations. But since the phenomenon appears to be with us to stay, I’ve changed my approach and decided to take advantage of the opportunity to educate and encourage. What’s the big deal? So just what is so “super” about a “supermoon?”…

The first rule of photography: Just show up

A man with a plan It was New Year’s Eve and I was perched on a cliff overlooking Yosemite Valley, two feet from certain death and ten minutes from the rise of the largest full moon of 2018. While the death thing would have only been a problem if I’d have lost my mind, the moon’s appearance was entirely subject to the whims of…