Dawn’s Early Light

Imagine a world that’s so quiet you can hear nature’s every stirring, a place where each breath holds a pristine bouquet of subtle fragrances and the sky is a continuously shifting kaleidoscope of indigo, blue, yellow, orange, and pink. In case you haven’t figured it out, I’m describing the very world we live in, before the sun’s light and warmth draw out the dirty, noisy, oblivious masses. The magic begins long…

Yosemite Full Moon Bingo

Do you have little games you play in your head? Private challenges that range from small amusements to all-encompassing obsessions—things like guessing how many miles until this desert highway crests that distant rise, or how many peanuts in a row you can land in the cocoa mug on the coffee table, or guessing the current time to the minute before looking at the clock. You…

On the other hand…

On Wednesday I wrote about featuring the sky in my images, and how my love for all things astronomical and meteorological reflects in my photography. On the other hand… As much as I love photographing the moon, stars, rainbows, and lightning to my images, there are many photo-worthy subjects right here on terra firma. And usually the best way to feature them is to…

Eyes on the Sky

We tend to photograph the things we love most, but I don’t think that necessarily happens consciously. For example, I never appreciated the role the sky plays in my photography until someone pointed it out a few years ago. Browsing my galleries to verify, I was amazed at the percentage of my images that include at least one of the following: the sun, the…

The Motion of the Ocean

Silky water images take a lot of flak for being overused and unnatural. Sure, long exposures that blur a rushing creek into a white stripe, or smooth crashing surf into to a gauzy haze, can be trite (no judgement—these effects can also be beautiful). But the argument that motion blur in a water image is always invalid because it’s not “natural” just doesn’t hold…

Go Big or Go Home

Like a teenager with his first car, I was itching to take my brand new Sony 200-600 for a spin. But since I don’t photograph wildlife, my ultra-telephoto lenses are used mostly for the moon, and occasionally close-focus stuff like fall color and wildflowers. And as much as I wanted to try it on the moon, I thought the fall color in my Eastern…