Landscape photographers have a couple of ways to make nice images. By far the most important is the ability to see the special but less obvious, then know how to compose and expose that special vision in ways that clarify and convey the previously unseen beauty. But sometimes we just need to know when to show up and where to point the camera, and…
I’m sitting in the Queenstown, New Zealand airport waiting to board the first of four flights that will total 26 hours and land me a mere 2-hour drive from home. While I’m still coherent, I’ll attempt to whip out this week’s (slightly late) blog post, using low hanging fruit from the just-completed New Zealand workshop: The always beautiful Wanaka Willow Tree. Each year (that…
I used to consider my 16-35 lens ultra-wide (by many definitions, it is), and as such, all the focal width I needed—the difference between 12mm and 16mm didn’t seem enough to justify another lens. I photographed in blissful ignorance until 2015, when, on a spring morning in Yosemite, I borrowed a friend’s Canon 11-24 lens. With the help of my Metabones adapter, I mounted…
Spend enough time viewing landscape images on Facebook and Instagram and it soon becomes clear that dramatic spectacle and saturated color generates the most fan attention. Fueled by this knowledge, photographers seeking online praise try to outdo the drama and color of prior images, both their own and others’, with every shoot. The unfortunate consequence is a photographic feedback loop where one ostentatious image…
Yesterday I wrapped up my eighth Grand Canyon raft trip. I had no idea on my first one in 2014 that I’d still be doing this trip 8 years later (with number nine already on the schedule), or that it would have such a profound effect on my life. But here I am. Most people’s perception of the Grand Canyon comes courtesy of expansive…
I’ve spent the last week moving, and with my annual Grand Canyon Raft Trip for Photographers launching Tuesday, I haven’t had a lot of time for blogging (and much else). But I’m still committed to posting a new blog each week, so I’m sharing a new image from one of this spring’s Yosemite workshops, and a brief description of its capture. I also dusted…
Think about what goes into making a landscape image. If the scenes and conditions are our raw materials, then it would be logical to say that our camera gear is our tools. But in addition to cameras, lenses, and other physical photography hardware, I’d say that our photography toolkit also includes the techniques we employ to deal with nature’s fickle whims. And speaking of…