Happy Anniversaries to Me

Rural Lightning Strike, Southeastern WyomingSony a7R VSony 24-105 G.6 secondsF/8ISO 800 I just realized that January 2026 marks a couple of milestones for me. Twenty years ago this month, I left my “real” job at Intel (good company, lousy manager) to pursue my dream of becoming a landscape photographer. And 15 years ago this month, I started writing this blog. Leaving Intel was a…

Kilauea Eruption Episode 33, Part 1: So You’re Telling Me There’s a Chance…

One out of a million… One of the great motivators for a nature photographer is the potential for the unexpected. As much as I love planning my photo shoots, especially when things come together exactly as hoped, the euphoria of the unexpected feels like photography’s greatest reward. Some natural phenomena can be predicted with surgical precision—events like a rising or setting sun or moon,…

Lightning Safety (for Photographers)

If you’re reading this post and hope to stay completely safe from lightning, just stop right here and simply go indoors at the first flash, and stay there until 30 minutes after the last flash. (You’re welcome.) But if you would like to assume the risks of photographing lightning while staying as safe as possible, read on…. It’s a personal calculation  I share a…

Storm Chasing Diary: Safety, Schmafety

It feels pretty weird writing about sweltering Texas June afternoons while, only a couple of weeks later, shivering through frigid New Zealand June mornings, but welcome to my world. We’ve had some gorgeous photography Down Under again this year, and while I’d love to be able to capture, process, and blog in something closer to real time, my workshop priorities just don’t permit that….

Making the Scene

Every photographer loves creating unique images. Planning workshops more than a year in advance, I always try to maximize my groups’ chances for macro events might enable my group to capture something special—things like Horsetail Fall or a moonrise in Yosemite, lightning at Grand Canyon, the Milky Way in New Zealand or Grand Canyon, and the northern lights in Iceland. (I’m not complaining,) but…

The Method To My Madness

Last Saturday I did a Zoom presentation for a camera club in Texas. My topic was seeing the world the way your camera sees it, a frequently recurring theme for me, but preparing for and delivering this presentation put it in the front of my mind as I processed this image from my recent Hawaii Big Island workshop. Most of us know the feeling…

One Click Wonders

For as long as I can remember, I’ve gazed at the night sky in wonder. Around the age of 10, my wonder was augmented by inquisitive fascination that I pursued in books, magazines, and through the lens of my very own telescope. Throughout my adulthood, I longed to express that celestial wonder with my camera, but for years was thwarted by the camera’s inability…

New Zealand Rocks

(Yes it does.) This New Zealand winter morning dawned damp and gray, with a layer of low clouds hindering the light and obscuring the peaks. Not awful for photography, but far from the spectacular color and light photographers hope for. My workshop partner Don Smith was battling a nasty (non-Covid) virus, so I was solo with the group on the morning we visited an…

Go With the Flow

Despite many visits to Diamond Beach over the last half-dozen or so years, I still don’t feel like I’ve mastered the iceberg blurred water shot to my complete satisfaction. But I keep working on it, and this year I was at least was able to capture something I like. In previous visits, when my attempts to capture the perfect motion blur shot failed, I’d…

Visualize the Future

Virtually every scene I approach with a camera is beautiful, but a beautiful scene isn’t enough if all the parts don’t work together. Human experience of the world differs greatly from what the camera captures—the photographer’s job is to understand and use those differences. Ansel Adams and visualization Most photographers know that Ansel Adams visualized his final print, and the darkroom work necessary to…