Managing light, depth, and motion in nature

Independent of composition, photographers have three scene variables to play with when setting up a shot: light, depth, and motion. And not so coincidentally, we have three exposure parameters with which to manage those variables: shutter speed, f-stop, and ISO. The exposure parameters have a reciprocal relationship—an increase/decrease in one can be compensated by a corresponding decrease/increase in another—but merely getting the “correct” exposure with a…

Sanity check

Are you insane? Albert Einstein defined insanity as doing the same thing over and over again and expecting different results. Hmmm. For some reason this makes me think of the thousands of aspiring landscape photographers with portfolios brimming with beautiful images that they can’t sell. Despite a great eye for composition, all the latest gear, insider knowledge of the best locations, and virtual guru status with Photoshop, somehow they haven’t managed to separate themselves from the large pack…

The best lens for the job

Probably the workshop question I am asked most is some variation on, “What lens should I use?” While I’m happy to answer any question, this one always makes me cringe because the implicit question is, “Which lenses can I leave behind?” What many photographers fail to realize is that the “proper” lens isn’t some absolute determined by the scene, a secret known only by the best…

Photographic matchmaking

While everyone loves a pretty scene, I’m afraid our aesthetic sense has been numbed by the continuous assault of “stunning” images online. A picture grabs our eyes on Instagram or Facebook and we reflexively click Like and move on to the next (similarly) stunning image. The photography equivalent of pop music, formula fiction, or (most) network television, these images exit our conscious about as fast as they entered because they fail to make…

Fall color explained

Like most photographers in the Northern Hemisphere, my fall color season is about finished. But things are just ramping up along the streets near my home in California’s Central Valley (where winter doesn’t really begin until December, and spring’s first blooms start to pop up at the end of January—sorry). While there’s not a lot for me to photograph in my neighborhood, the opportunity to partake of the visual feast…

How do you do that?: Properly expose a full moon

The problem Cameras struggle to capture simultaneous detail in bright highlights (the moon) and and dark shadows (the landscape)—capturing one or the other is easy, but both? Not so much. A full moon is daylight bright, but because a full moon rises at sunset and sets at sunrise (more or less, depending on exactly how full the moon is when it rises/sets, and the elevation of the horizon the…

Winter is coming

While every season in Yosemite offers something that makes it special, the most beautiful place on earth is at its most beautiful when every exposed surface for as far as the eye can see is made brand new and pristine by a blanket of fresh snow. But capturing Yosemite’s winter magic isn’t a simple matter of showing up on a winter day with a camera. At just 4,000…

Practicing what I preach

The morning (last week) I started this post I was photographing South Tufa at Mono Lake in 26 degree temperatures. It’s hard to believe that less than three weeks earlier I was wearing a tank top, shorts, and flip-flops while photographing orchids in Hawaii. And later today I’m off to Moab, Utah. I’d taken my Hawaii workshop group to Lava Tree State Park, long a personal favorite spot…

Concise guide to tripod selection for the serious landscape photographer

Tripod axiom There’s an axiom in photography (popularized by Thom Hogan): Photographers purchase three tripods: the first tripod is a flimsy, cheap aluminum/plastic monstrosity; next comes a sturdy but heavy “value” tripod; and finally, they spring for the tripod they should have purchased in the first place—a sturdy, light, expensive tripod that will serve them for decades. You’ll save yourself tons of money by biting the bullet and just starting…

Lightning lessons

This is an updated version of the Lightning article in my Photo Tips section (which I’ll soon move over there too), and the article that recently appeared on the Sony Alpha Universe page. Improvements include a “Night Lightning” section and many additions to the “Maximize your odds” section. Let’s start with the given that lightning is dangerous, but if “safety first” is a criterion for…