Natural Light Painting

Once upon a time, moonlight was the only kind of night photography I did. As lifelong astronomy enthusiast, I’ve always been mesmerized by all the stars that come out when the moon is down, but film and the earliest digital cameras were just not capable of adequately capturing the world after dark without help from multiple exposures or artificial light (dealbreakers for me). While…

Reach for the Sky

We tend to photograph the things we love most, but I don’t think that necessarily happens consciously. For example, I never appreciated the role the sky plays in my photography until someone pointed it out a few years ago. Browsing my galleries to verify, I was amazed at the percentage of my images that include at least one of the following: the sun, the…

The Shots (Almost) Not Taken

Between a lot of travel last week and preparing for a workshop that starts this week, I somehow managed to process an image yesterday. And today I’m going to attempt to squeeze out a quick blog post around a gathering that’s a 5-hour roundtrip away. Let’s see what happens… This image makes me think about other memorable shoots that might not have happened had…

Getting Personal

In my previous blog post I wrote about creating visual relationships between landscape subjects—juxtaposing disparate elements in a scene in ways that move or stop viewers’ eyes. But I’m also a strong believer in the power of personal relationships with landscape subjects. Whether it’s the celestial choreography that decorates our night skies, the atmospheric machinations that spawn thunderstorms and paint rainbows, or the geological processes that…

The Colors of Autumn

Few things get my heart racing more than the vivid yellows, oranges, and reds of autumn. And after missing most of last year’s fall color thanks to the double whammy of COVID and California’s extreme fire season, I was especially excited as I motored over the mountains for this year’s Eastern Sierra workshops. Of course as much as I love it, this trip doesn’t come…

Mono Magic

Yesterday morning I wrapped up the first of two Eastern Sierra photo workshops with a truly glorious, and unique, sunrise at Mono Lake. The prior morning the group enjoyed a nice sunrise at Mono Lake’s far more heralded South Tufa, but for the final sunrise I like to take my groups to this isolated stretch of shoreline on the north side of the lake….

2020 Highlights: Quality Over Quantity

Being a photographer is more than just capturing images, it’s also very much the experiences that go with their capture. So looking back on a year most notable for its lowlights, and browsing a portfolio that’s by far the smallest of any year since I’ve called myself a photographer, I’m surprised by the number of 2020 experiences that give me shear joy to relive….

Playing With Depth

Photography is the futile attempt to squeeze a three-dimensional world into a two-dimensional medium. But just because it’s impossible to truly capture depth in a photograph, don’t think you shouldn’t consider the missing dimension when crafting an image. For the photographer with total control over his or her camera’s exposure variables (which exposure variable to change and when to change it), this missing dimension provides…

As the World Turns

Reclined beneath a ceiling of stars, at the foot of a tree that matured long before the time of Christ, it’s pretty difficult to feel important. That sense of awe is why I love making images that juxtapose the ancient bristlecones against the Milky Way. But, with a 40% moon parked in Sagittarius and completely washing out the brilliant galactic center, I had other plans…

To Polarize, or Not to Polarize

One of my most frequently asked questions during a workshop shoot is, “Should I use my polarizer here?” Of course that’s an impossible question to answer absolutely because as a creative choice, the polarizer decision is rarely absolute. While many people believe the sole purpose of a polarizer is to make the sky darker (deeper blue), blue sky is just a byproduct of the…