Waiting for the Stars

The bristlecone pines are among the oldest living organisms on earth. Some of these trees pre-date the Roman Empire by 2000 years—and they look every year of their age. The more harsh a bristlecone’s environment, the longer it lives. As with the giant redwoods, it’s humbling to be among the bristlecone pines. What they lack in bulk they make up for in character, with…

Extracting the Essence

Read about the travails leading up to this shoot in my previous post. But enough about that…. I’m afraid that when faced with a beautiful scene, photographers (myself included) sometimes settle for the obvious shot and leave more subtle opportunities on the table. But the most creative photography (though not necessarily the most popular) comes from looking beyond the obvious to find the scene’s…

I Just Love Happy Endings

By the time I made it to North Lake for sunrise, I’d already had a trying morning. After some frustrations with the cars, my Eastern Sierra workshop group had gotten on the road about five minutes later than I’d planned. Fortunately I always schedule a little wiggle room, so we were on track, but still…. Then, just a couple of miles before the turn-off…

Getting centered

What do you think would happen if I submitted this image a camera club photo competition? The sunstar and golden glow might elicit a few oohs and ahhs at first, but I’m pretty sure it wouldn’t be long before the resident Rule enforcer dismisses it because the horizon and sunstar are centered. And while “never center your subject” is great advice for a beginner who…

A Fall Color Primer

Autumn has arrived, my favorite season for creative photography. To kick off the festivities, I’m sharing an updated version of a post I wrote a few years ago explaining the often misunderstood process responsible for it all. Few things get a photographer’s heart racing more than the vivid yellows, oranges, and reds of autumn. And the excitement isn’t limited to photographers—to appreciate that reality,…

Static Juxtaposition

My previous post was about dynamic juxtaposition in landscape photography—combining static landscape subjects with transient meteorological and celestial elements. The other side of the juxtaposition coin I call static juxtaposition: combining stationary landscape objects. I am a little reluctant to use the word “static” because there is one element that absolutely can’t be static in these compositions: You. Since I don’t photograph people or wildlife, I…

Playing with my new toy

Leading 15-20 photo workshops per year means coming to terms with photographing the same locations year in, year out. This is not a complaint—I only guide people to locations I love photographing—but it sometimes makes me long for the opportunity to capture something new. Which is why I’m loving visiting my familiar haunts with my newest lenses, the Sony 12-24 G and Sony 100-400…

Photograph the Eastern Sierra

This is an edited and updated version of my Eastern Sierra article that appeared in the September 2016 edition of “Outdoor Photographer” magazine Eastern Sierra Skirting the east side of  the Sierra Nevada, US 395 enchants travelers with ever-changing views of California’s granite backbone. Unlike anything on the Sierra’s gently sloped west side, Highway 395 parallels the range’s precipitous east flank in the shadow…

How a polarizer works

Some people couldn’t care less how a polarizer works—they’re satisfied knowing what a polarizer does, and how to make it happen. But if you’re like me, you also need to understand why things behave the way they do. Put simply… A polarizer eliminates reflections. On the surface that not might seem so desirable for someone who likes photographing reflections as much as I do, but reflections…

Moving the eye

With virtually every still camera now equipped with video capability, the last few years have seen an explosion of nature videos. When done well, videos of nature can be quite effective, conveying motion and engaging both eyes and ears to reveal the world in a manner that’s closer to the human experience than a still image is. But like other sensory media whose demise has been anticipated by the arrival of…