Hold My Gear (the Sequel)

After sharing in my prior post that I’ve been lugging a 30 pound camera bag through airports, it occurred to me that I haven’t updated you on the ever-changing contents of said camera bag lately. But before I continue, let me remind you that a photographer’s gear choice is no more relevant to his images than a writer’s pen is to her stories, or…

Do You Really Need a New Camera?

I had an idea germinating for this week’s blog post, but when Sony announced the brand new α1 II Tuesday, I pivoted to an experienced-based public service message. (You’re welcome.) As you may have noticed, a new camera purchase is a significant investment. Nevertheless, for many photographers the new camera decision seems more emotional than rational. Case in point: Me. That is, once upon…

No Sky? No Problem…

Anyone who has been in one of my photo workshops will confirm that I’m kind of obsessed with skies. Not just the good skies, but the bad ones too. While the sky can add a lot to an image, it can detract just as much. Viewing images online and in my workshop image reviews, it seems that many people pay outsize attention to the…

Every. Single. Thing.

A few days ago, while browsing old images looking for something else, I came upon this one from a solitary sunset visit to North Lake above Bishop almost 16 years ago. It’s a great reminder to appreciate my past efforts, and to not forget that, even though some images from my distant photography past evoke a “What was I thinking?” face palm, I really…

Dark and Early

The key to successful sunrise photography is arriving early—dark and early. Not just to photograph the early morning twilight, but to familiarize yourself with the surroundings to be ready for whatever the rapidly changing morning light delivers. Exactly how early is “dark and early”? Well, another way of looking at it would be, if you can navigate without a flashlight, you’re too late. I…

Extracting the Essence

Read about the travails leading up to this shoot in my previous post. But enough about that…. I’m afraid that when faced with a beautiful scene, photographers (myself included) sometimes settle for the obvious shot and leave more subtle opportunities on the table. But the most creative photography (though not necessarily the most popular) comes from looking beyond the obvious to find the scene’s…

I Just Love Happy Endings

By the time I made it to North Lake for sunrise, I’d already had a trying morning. After some frustrations with the cars, my Eastern Sierra workshop group had gotten on the road about five minutes later than I’d planned. Fortunately I always schedule a little wiggle room, so we were on track, but still…. Then, just a couple of miles before the turn-off…

How a polarizer works

Some people couldn’t care less how a polarizer works—they’re satisfied knowing what a polarizer does, and how to make it happen. But if you’re like me, you also need to understand why things behave the way they do. Put simply… A polarizer cuts reflections. On the surface that not might seem so desirable for someone who likes photographing reflections as much as I do, but reflections…

Reflections on the polarizer

Polarizer 101 Photographers who think a polarizer is only for darkening the sky miss opportunities to saturate color and and emphasize texture in shade or overcast. Even worse, some photographers screw on a polarizer without understanding how it works, mistakenly believing that merely having it attached is sufficient. The amount of polarization any composition calls for is a creative decision that can make or…

Cameras are stupid, Part deux

Okay, let’s review. Would you really allow your camera to choose the focus point for this composition? (Hint: No.) Like exposure, focus is not an absolute that can be determined by sterile, binary analysis; rather, focus is a creative choice that profoundly affects the result. That’s because creating the illusion of depth in two-dimensional image means composing elements at different distances throughout the frame. Unfortunately,…