Something’s Burning

Sun and Smoke, Bright Angel Point, Grand Canyon Sony a7RIII Sony 100-400 GM Sony 2x teleconverter ISO 200 f/11 1/50 second Tom Petty has a line that goes, “Most of the things I worry about, never happen anyway.” And one of the things I worry about most is, what if I schedule a workshop and the conditions are so lousy that no one gets any…

(Sometimes) I’d Rather Be Lucky Than Good

It was 4:00 a.m. and I’d spent the last two hours photographing the Milky Way’s brilliant core above the Colorado River. In about 75 minutes the guides would be ringing the “coffee’s ready” gong, signaling the start of another day at the bottom of the Grand Canyon. Collapsing my tripod, I performed a little mental math and found slight relief in the knowledge that I…

Star Struck

Nothing in my life delivers a more potent dose of perspective than viewing the world from the bottom of the Grand Canyon. Days are spent at the mercy of the Colorado River, alternately drifting and hurtling beneath mile-high rock layers that tell more than a billion years of Earth story. And when the sun goes down, the ceiling becomes a cosmological light show, each…

Grand from Top to Bottom

In spring of 2014 I fulfilled a life-long dream to raft the Grand Canyon. My plan was to do it once, but the trip so exceeded my (already quite high) expectations, and those of all the photographers who joined me, that I just decided to keep doing it until people stopped showing up. Tomorrow I hit the river for the fifth year in a…

Should I or shouldn’t I?

I get a lot of questions in the field during a photo workshop, but about 80% of them are some version of, “Should I do it this way or that way?”: “Should I use a polarizer (or not)?” “Should I shoot this horizontal or vertical?” “Should I shoot this wide or telephoto?” “Should I include that rock or leave it out?” “Should I…?” Sometimes…

Weather or not

When the weather gets crazy, do you sprint for cover or reach for your camera? Your answer may be a pretty good indicator of your success as a landscape photographer. It’s an unfortunate fact that the light, color, and drama that make the most memorable landscape photos all come when most sane people would rather be inside: at sunrise, when the rest of the world…

Two sides of the same coin

As a self-employed landscape photographer, I’m governed by far more primitive time measurement constructs than the bustling majority. I work when there’s work to be worked, and (fingers crossed) play when there’s play to be played. The business side of my life sometimes requires a clock and calendar, but the actual photography part of my life is governed by fundamental laws of nature that…

(Another) Grand Canyon Lightning Show

Earlier this month Don Smith and I traveled to the Grand Canyon for our annual Grand Canyon Monsoon photo workshops. I enjoy every workshop, but as a true weather nerd, these monsoon workshops are particular highlights in my year, and in Northern California we just don’t get that much weather—that is, unless you consider homogenous blue (summer) or gray (winter) skies weather. For this…

Eclipse 2017: Savor the Moment

Today I drive to the mountains of Idaho to photograph Monday’s total solar eclipse. Having never photographed an eclipse, total or otherwise, I have no eclipse images to share. And I won’t pretend to be an expert, or attempt to tell you how to photograph it. But I do have one piece of experienced-based advice that I want to share with photographers planning to…

The lightning show

I’ve always been something of a weather geek, the more dramatic the better. So when I can combine photography with dramatic weather, I’m in heaven. But as a lifelong Californian (where electrical storms are newsworthy), lightning photography usually requires a road trip. So… Each August, Don Smith and I pack our camera gear and Lightning Triggers and travel to the Grand Canyon to photograph the…