There’s No Whining in Photography

Do I need to tell you it was brutally cold this afternoon? Of course not (and I doubt anyone really wants to hear me whine about it anyway). I also probably don’t need to tell you that this scene was spectacularly beautiful. And unfortunately, these two facts are often inexorably intertwined because the best time for photography is usually the worst time to be…

Permission To Suck

True story: I once had a Yosemite workshop participant meter an El Capitan reflection scene, put her Nikon D4 in continuous-frame mode, then press the shutter and spray in a 180 degree (10 FPS) arc until the image buffer filled. Unable to contain my dismay, I asked her what she was doing and she just shrugged and said (with a smile), “It’s Yosemite—there’s sure…

Aurora Dreams

Even without the northern lights, there’s enough stuff to photograph in Iceland to more than fill a 10-day winter workshop. But I’d be lying if I said the prime goal of every person who signs up for an Iceland winter photo workshop isn’t the northern lights. And Don Smith and I do our best to fulfill these aurora dreams, but that of course isn’t…

Watch Your Backup

A funny thing happened to me on the way to this image. And when I say “on the way,” I don’t mean taking the picture, I mean after it was safely loaded onto my computer and fully processed, it seems that someone (who wishes to remain anonymous), accidentally overwrote it with a completely different image. Oops. Establishing a backup mindset Overwriting an image is…

Get Centered

This day started with one of the most disturbing experiences of my photo workshop life, so finishing with a sunset like this was comforting relief for the entire group. But before I get to the sunset, let me wind the clock all the way back to our short drive to Diamond Beach for this morning’s sunrise. In February Iceland’s sunrise arrives at around 10…

A Shot in the Dark

At its best, still photography reveals aspects of the world invisible to, or overlooked by, human vision. In nature photography, we create these visual revelations when we use an extremely fast exposure to freeze the intricate detail of a lightning bolt that’s a memory before our brain registers it. Or when we dial up a long exposure to turn pinpoint stars into symmetrical arcs…

Dressed to Chill

From brisk to chilly to freezing to downright frigid, we warm blooded humans have lots of labels for the discomfort imposed by low temperatures. But I’ve always felt that we need something beyond frigid, something that adequately conveys the true suffering low temperatures inflict, and would like to submit an even chillier option: stupid cold. At the risk of stating the obvious, “stupid cold”…

Expecting the Unexpected

Usually when you arrive at a scene you have a pretty good idea of the landscape features in store. There’s El Capitan, or the Wanaka Willow tree, or Deer Creek Fall, or any number of stationary landscape icons photographers flock to—your job is simply to find the best way to render this permanent beauty. To further assist the process, you can probably even tap…

Image Building (the old fashioned way)

Today it’s possible to open an app on your computer, type in a few descriptive terms, and faster than you can take a sip of coffee your very own beautiful image will appear. No frozen extremities, missed meals, or sleep deprivation required. What could possibly be better than that? I’ll tell you what’s better: the frozen extremities, missed meals, and sleep deprivation necessary to…

Distilling the Essence

The art of subtraction Presented with a complex world, the nature photographer’s job is to identify a scene’s visually interesting elements and figure out how to use them in an image. While most photographers have no problem seeing what to include in their images, many struggle with what to leave out. But the best pictures usually work at least as much for what’s not in…