Image Building (the old fashioned way)

Today it’s possible to open an app on your computer, type in a few descriptive terms, and faster than you can take a sip of coffee your very own beautiful image will appear. No frozen extremities, missed meals, or sleep deprivation required. What could possibly be better than that? I’ll tell you what’s better: the frozen extremities, missed meals, and sleep deprivation necessary to…

Distilling the Essence

The art of subtraction Presented with a complex world, the nature photographer’s job is to identify a scene’s visually interesting elements and figure out how to use them in an image. While most photographers have no problem seeing what to include in their images, many struggle with what to leave out. But the best pictures usually work at least as much for what’s not in…

It’s All About the People

As I’ve made abundantly clear in earlier blog posts, 2023 started with my busiest ever workshop stretch. But I’ve finally reached enough of a lull in my schedule to start processing the fruits of all this labor—not nonstop, but maybe one or two images a day if I’m lucky. Part of me feels a little overwhelmed by how how long it could take at…

Blessings

I just wrapped up what was no doubt the most intense work/travel stretch of my 17 years leading photo workshops. It started the second week of January with 3 weeks in Iceland leading 2 workshops with Don Smith (with no break in between). After the long flight home (that’s a story for different day), I had just one day to recover before driving nine…

Distraction Subtraction

Last week’s blog image was an ultra-wide scene chockfull of beauty, ranging from nearby frosted trees and shrubs, to a sky filled with sunset pink clouds, topped with a small dot of moon. It took a bit of work, but I was eventually able to find the position and framing that allowed me to assemble these diverse elements into something coherent. But because nature…

Transcending the Trophy

Wonderland, Golden Circle, Iceland Sony a7R V Sony 12-24 GM 1/40 second F/11 ISO 200 With Horsetail Fall season about to kick off, this week I’m thinking about “trophy shots.” (My definition of a trophy shot is a commonly shared photograph of a scene captured previously by many others.) Often these are “iconic” tourist scenes, such Delicate Arch in Arches, or Multnomah Falls in…

A River Runs Through It

Among the greatest joys of my photographer’s life is the opportunity to witness rare and exotic beauty I might otherwise have missed. An erupting volcano? Check. The dancing colors of the northern lights? Check. Shafting light in a Southwest slot canyon? Check. Southern Hemisphere night sky? Check. The view from the bottom of the Grand Canyon? Check. In my California-born-and-raised world, glaciers certainly qualify…

Lights, Camera, Action!

A couple of posts back I wrote about Nature’s gifts, natural phenomena that sometimes augment the ordinary enough to defy belief. In that post I cited reflections, relatively ubiquitous phenomena that improve nearly every scene they touch. Toward the other end of the commonness continuum are auroras, colorful lights that dance randomly in the frigid darkness high above Earth’s extreme latitudes. While everyone has seen reflections, many…

Looking Back at 2022

This is my final blog post of 2022. Going through my images from the past 12 months, I can’t help but celebrate my blessings. What you might (I hope) view as a pretty picture, represents to me a thrilling moment in Nature. And believe me when I say that I remember the experience of witnessing every single image I share here. 2022 was the…

Replacing the Missing Dimension

I’ve said it before: Capturing our three-dimensional world in photography’s two-dimensional medium is impossible. But take heart, all is not lost—it is possible to give your images the illusion of depth. It’s pretty easy to put a camera to your eye and frame up the flat, left/right and up/down aspect of a scene. But translating your own three-dimensional experience into your camera’s two-dimensional reality…