Hope for the best, prepare for the worst

A regrettable reality of my life is that the best conditions for photography are the absolute worst conditions to be outside. Fortunately, I was hardened by decades of Giants games at Candlestick Park, the coldest place on Earth. As a photographer, I continue to embrace my mantra for warmth at the ‘Stick: Too much is always better than not enough. For me, cold weather photography…

Finding your camera’s “truth”

Something I teach, write, and lecture on frequently (ad naseum?) is the photographer’s obligation to understand, not fight, the camera’s vision. Some people seem to get this; others, not so much. So I’ve decided to try a slightly different tack. Visual “Truth” is relative Without getting too philosophical, it’s important to understand that, like your camera, your view of the universe is limited and…

Finding order in nature, one leaf at a time

“Did you put that leaf there?”  I’m frequently asked if I positioned a leaf, moved a rock, or “Photoshopped” a moon into an image. My (truthful) answer is always the same: “No.” I suspect I’m asked this so much because I aggressively search for natural elements and patterns to isolate and emphasize–they’re not hard to find if you look. We all know photographers who…

Reflections on the polarizer

Polarizer 101 Photographers who think a polarizer is only for darkening the sky miss opportunities to saturate color and and emphasize texture in shade or overcast. Even worse, some photographers screw on a polarizer without understanding how it works, mistakenly believing that merely having it attached is sufficient. The amount of polarization any composition calls for is a creative decision that can make or…

Seeing the small stuff

*   *   *   * In a recent post I mentioned that I don’t photograph Yosemite’s Tunnel View much anymore. It’s not that I visit Tunnel View any less frequently, or love being there any less than I once did; it’s more the growing realization collecting images already done (by myself or others) doesn’t really excite me. The longer I do this,…

Magenta moonrise, Half Dome, Yosemite

With my camera I’m able to create my own version of any view, adjusting focal length (the amount of magnification) and composition to emphasize whatever elements and relationships I find most compelling. Today’s image was captured on the  final shoot ofmy most recent fall workshop, three sunsets after my previous image, from virtually the same location. On Sunday evening (the first sunset), with Yosemite Valley emerging…

(More) Tunnel View magic

This post is for everyone who woke up this morning thinking, “Gee, I sure wish there were more pictures from Tunnel View in Yosemite.” Well, you’ve come to the right place. Okay, seriously, the world really doesn’t need any more Tunnel View pictures, but sometimes I just can’t help  myself. Call me biased, but I’ll put this view up against any in the world….

Isolation

I love sweeping panoramas, but when I’m alone I often gravitate to the intimate locations that make nature so personal. In Yosemite’s dark corners, places like Bridalveil Creek beneath Bridalveil Fall, and the dense mix of evergreen and deciduous trees lining Merced River near Fern Spring and the Pohono Bridge, I scour the trees and forest floor for subjects to isolate from their surroundings. Helping your subjects stand out…

Sweet moment

Last November I planned a trip to Yosemite to coincide with the full moon rising above Half Dome at sunset. When a prematurely cold storm blew through and blanketed Yosemite with snow. While the photography was fantastic, I resigned myself to waiting another year for the moonrise I’d hoped for. And I certainly didn’t complain. After a full day of photography in conditions than…

Making sense of nature

I love the iconic captures as much as the next person–scenes like Yosemite’s Horsetail Fall in February, Antelope Canyon’s heavenly beam, or McWay Fall’s tumble into the Pacific, are gorgeous and a thrill to photograph. But standing elbow-to-elbow with tens (or hundreds!) of photographers, each recording identical images that are already duplicates of thousands of prior images, while lots of fun, isn’t enough to stimulate my creative juices….