Polarizer 101 Photographers who think a polarizer is only for darkening the sky miss opportunities to saturate color and and emphasize texture in shade or overcast. Even worse, some photographers screw on a polarizer without understanding how it works, mistakenly believing that merely having it attached is sufficient. The amount of polarization any composition calls for is a creative decision that can make or…
* * * * In a recent post I mentioned that I don’t photograph Yosemite’s Tunnel View much anymore. It’s not that I visit Tunnel View any less frequently, or love being there any less than I once did; it’s more the growing realization collecting images already done (by myself or others) doesn’t really excite me. The longer I do this,…
With my camera I’m able to create my own version of any view, adjusting focal length (the amount of magnification) and composition to emphasize whatever elements and relationships I find most compelling. Today’s image was captured on the final shoot ofmy most recent fall workshop, three sunsets after my previous image, from virtually the same location. On Sunday evening (the first sunset), with Yosemite Valley emerging…
This post is for everyone who woke up this morning thinking, “Gee, I sure wish there were more pictures from Tunnel View in Yosemite.” Well, you’ve come to the right place. Okay, seriously, the world really doesn’t need any more Tunnel View pictures, but sometimes I just can’t help myself. Call me biased, but I’ll put this view up against any in the world….
I love sweeping panoramas, but when I’m alone I often gravitate to the intimate locations that make nature so personal. In Yosemite’s dark corners, places like Bridalveil Creek beneath Bridalveil Fall, and the dense mix of evergreen and deciduous trees lining Merced River near Fern Spring and the Pohono Bridge, I scour the trees and forest floor for subjects to isolate from their surroundings. Helping your subjects stand out…
Last November I planned a trip to Yosemite to coincide with the full moon rising above Half Dome at sunset. When a prematurely cold storm blew through and blanketed Yosemite with snow. While the photography was fantastic, I resigned myself to waiting another year for the moonrise I’d hoped for. And I certainly didn’t complain. After a full day of photography in conditions than…
I love the iconic captures as much as the next person–scenes like Yosemite’s Horsetail Fall in February, Antelope Canyon’s heavenly beam, or McWay Fall’s tumble into the Pacific, are gorgeous and a thrill to photograph. But standing elbow-to-elbow with tens (or hundreds!) of photographers, each recording identical images that are already duplicates of thousands of prior images, while lots of fun, isn’t enough to stimulate my creative juices….
Whether I’m shooting on my own or (especially) leading a photo workshop, there are no weather conditions I stress about more than blue skies. As nice as it is to be outside on a sunny day, cloudless skies are not a photographer’s friend. Not only do blue skies limit productive photography time to a ninety minute (or so) window sandwiching sunrise and sunset, even…
If you read my blog enough, you know that I do lots of advance planning, particularly when I want to put the moon in my frame. I have my own workflow for determining the moon’s position relative to the landscape, a workflow I established long before tools like “The Photographer’s Ephemeris” simplified the process immensely. (TPE is a new trick, and I’m an old…
After a successful and satisfying week co-leading Don Smith’s Arches/Canyonlands workshop, Don and I detoured to Monument Valley on our way home. The evening of our arrival we hired a guide to take us to Teardrop Arch at sunset, but with cloudless skies and a 14+ hour drive home to Central California, we decided to pass on a sunrise shoot that was unlikely to…