Searching for Serendipity

Dante’s Moon, Badwater, Death Valley Sony a7R V Sony 24-105 f/4 G ISO 100 f/11 1/30 second Miriam-Webster defines serendipity as, “Finding valuable or agreeable things not sought for.” Wikipedia calls it, “An unplanned fortunate discovery.” Though I can’t quibble with these definitions, I think photographers can create their own serendipity by keeping their eyes and mind open to unexpected opportunities. Sometimes Mother Nature bludgeons us with…

A (Big) Mistake, and a (Small) Rant

By the time you read this, I’ll be done with my break and well into my Death Valley Winter Moon workshop. I’ll have gone from a stretch of two-and-a-half months with no workshops, to a stretch of one month with four workshops (and all the travel that entails): Death Valley, Iceland (10+ days), and two in Yosemite. And while I’ll kind of miss going…

Back to the Future

I’m coming to the end of a (much appreciated) break in my workshop schedule that has allowed me to focus on family, recharge mentally, and catch up on necessary but less than pressing business stuff (that’s easy to put off until I stress about it). During this span I made a conscious decision to put my camera down and just chill. That doesn’t mean…

Peak Color

The first time I visited New Zealand (way back in 1995), I was surprised not just by the number of mountains, but also by their size. New Zealand’s mountains reminded me very much of the Eastern Sierra peaks I visit every year for the way their serrated profiles tower above the surrounding landscape. And while the east-side view of the Sierra Crest is truly…

The Exception That Proves the Rule

A few years ago I blogged about shooting sans tripod on my annual Grand Canyon raft trip. You have no idea how large a paradigm shift this was for me, but I tried to rationalize my sacrilege by saying that any shot without a tripod is better than no shot at all. Since then I’ve been a little more willing to forego my tripod…

2023: The Year of Fire and Ice

One of my favorite things to do at year’s end is to look back at the images that made the year especially memorable. And my favorite part of this exercise is the realization that, even though I can’t say how, I know I’ll be similarly rewarded in the coming year. But what to do with the images I’ve selected? I’ve always struggled with the…

A Shot in the Dark

At its best, still photography reveals aspects of the world invisible to, or overlooked by, human vision. In nature photography, we create these visual revelations when we use an extremely fast exposure to freeze the intricate detail of a lightning bolt that’s a memory before our brain registers it. Or when we dial up a long exposure to turn pinpoint stars into symmetrical arcs…

Dressed to Chill

From brisk to chilly to freezing to downright frigid, we warm blooded humans have lots of labels for the discomfort imposed by low temperatures. But I’ve always felt that we need something beyond frigid, something that adequately conveys the true suffering low temperatures inflict, and would like to submit an even chillier option: stupid cold. At the risk of stating the obvious, “stupid cold”…

A Dose of Perspective

Nothing in my life delivers a more potent dose of perspective than viewing the world from the bottom of the Grand Canyon. Days are spent at the mercy of the Colorado River, alternately drifting and hurtling beneath mile-high rock layers that reveal more than a billion years of Earth story. And when the sun goes down, the ceiling transforms into a cosmological light show,…

Dark and Early

The key to successful sunrise photography is arriving early—dark and early. Not just to photograph the early morning twilight, but to familiarize yourself with the surroundings to be ready for whatever the rapidly changing morning light delivers. Exactly how early is “dark and early”? Well, another way of looking at it would be, if you can navigate without a flashlight, you’re too late. I…