What lens should I use?

Inexperienced photographers tend to approach every scene with the idea that there’s one “best” shot, and that other photographers already know what that shot is. This might explain why there’s no better way to meet other photographers than to set up a tripod (I’ve learned that this even works on the shoulder of a busy highway with no obvious view). It might also explain why the most frequent question asked in…

Is a tripod really necessary?

If you’re content with derivative snaps of pretty scenes, a tripod may not be for you. But for those who agree that, rather than regurgitating a rough representation of the world as we know it, landscape photography should reveal deeper, less obvious natural truths—things like relationships between diverse elements, an intimate exploration of larger scenes, detail and pattern lost in the blur of motion—there is no substitute for a…

Yosemite, weather or not

Photography weather and tourist weather are polar opposites: What’s good for photography—clouds, rain, snow—isn’t usually so great for being outside. This is especially true in Yosemite, where stormy weather can add an entirely new dimension to the park’s already renowned scenery (not to mention inclement weather’s crowd-thinning effect). Sometimes Yosemite’s clouds simply diffuse the light, subduing shadows into a much more camera-friendly range, and extending the quality photography…

Anticipating the exceptional

No one denies that an image records a single, unrepeatable instant. But just as each instant is the culmination of a series of connected preceding events, most images have their own history that can be traced backward, often months or years before the shutter clicked. The moon didn’t just materialize above Half Dome that evening, and a moonbow isn’t just some random event at the base of Lower Yosemite Fall—their appearance can be directly connected to celestial dance that was set…

Lucky strike

A Lightning Trigger in California is usually about as useful as a fishing pole in the Sahara. But every once in a while a little sub-tropical moisture sneaks up the Sierra crest and blossoms into afternoon thunderstorms. I monitor the weather daily (okay, that’s probably understating it a bit) for just these opportunities, rooting for Yosemite thunderstorms the way a Cubs fan roots for a World…

Light fantastic: A photographer’s guide to our most essential subject

Photograph: “Photo” comes from phos, the Greek word for light; “graph” is from graphos, the Greek word for write. And that’s pretty much what photographers do: Write with light. Good light, bad light Because we have no control over the sun, nature photographers spend a lot of time hoping for “good” light and cursing “bad” light (despite the fact that there is no universal definition of…

Nature’s surprises

October, 2010 One of the things I enjoy most about landscape photography is the element of surprise, the anticipation that comes with never quite knowing what’s going to happen when I go out with my camera. I usually start with a plan, and while there are times I get exactly what I hoped for, many times I don’t. But it’s the times I witness…

Exploring the familiar

I spend a lot of time guiding and teaching photographers who have traveled a great distance to capture a particular shot: Horsetail Fall in February, the spring moonbow on Yosemite Fall, the Milky Way above the Kilauea Caldera, to name a few. They’ve seen an image on my website, or someone else’s, and have decided want to add their version to their portfolio. Many…

Half Dome moonrise

Last week I was in Arizona (Grand Canyon, Page, Sedona); next week it’ll be Oregon (Columbia River Gorge). But this week my focus is little closer to home, as I enjoy the familiar confines of Yosemite Valley. The big news here is the water, or rather, the lack thereof. In a lifetime of visits to Yosemite, I’ve never seen the water lower in spring than it is this…

Megapixels are overrated

As regular readers know, in November I switched to Sony, replacing my 22 MP Canon 5D Mark III DSLR with the mirrorless 36 MP Sony a7R, plus three Sony lenses. My decision to switch had nothing to do with resolution and everything to do with the Sony’s image quality, dynamic range, and high ISO performance. Oh yeah, and the compactness of mirrorless. And after watching other DSLRs surpass…