A few days ago, while browsing old images looking for something else, I came upon this one from a solitary sunset visit to North Lake above Bishop almost 16 years ago. It’s a great reminder to appreciate my past efforts, and to not forget that, even though some images from my distant photography past evoke a “What was I thinking?” face palm, I really…
Way back when I started getting into photography as a hobby, my subject selection criteria were pretty basic: is it visually appealing, and can I get there relatively easily? This worked well enough, because the world is full of relatively appealing subjects that are relatively easy to get to, and I was content with merely pretty pictures. But my decision more than 20 years…
This week I have New Zealand on my mind. In preparation for the New Zealand Winter photo workshop that begins next week, I started going through unprocessed images from prior New Zealand visits. I was actually looking for something else when I stumbled upon this Milky Way image from the 2019 trip, when Don Smith and I guided a group of Sony influencers around…
We were in the midst of a beautiful Yosemite Tunnel View clearing storm when I told my group it was time to pull up stakes and move on. Some thought they’d misheard, others thought I was joking. Since we’d only started the previous afternoon, I hadn’t even really had a chance to gain the group’s trust. When one or two in the group hesitated,…
True story: I once had a Yosemite workshop participant meter an El Capitan reflection scene, put her Nikon D4 in continuous-frame mode, then press the shutter and spray in a 180 degree (10 FPS) arc until the image buffer filled. Unable to contain my dismay, I asked her what she was doing and she just shrugged and said (with a smile), “It’s Yosemite—there’s sure…
One of the (many) great things about choosing landscape photo workshops to earn my livelihood is that selling images is optional. Don’t get me wrong, I love selling images (and every image you see on my blog or in social media is for sale), but since my income doesn’t depend on it, I don’t need to sell images. That allows me to photograph only…
By the time you read this, I’ll be done with my break and well into my Death Valley Winter Moon workshop. I’ll have gone from a stretch of two-and-a-half months with no workshops, to a stretch of one month with four workshops (and all the travel that entails): Death Valley, Iceland (10+ days), and two in Yosemite. And while I’ll kind of miss going…
A few years ago I blogged about shooting sans tripod on my annual Grand Canyon raft trip. You have no idea how large a paradigm shift this was for me, but I tried to rationalize my sacrilege by saying that any shot without a tripod is better than no shot at all. Since then I’ve been a little more willing to forego my tripod…
The key to successful sunrise photography is arriving early—dark and early. Not just to photograph the early morning twilight, but to familiarize yourself with the surroundings to be ready for whatever the rapidly changing morning light delivers. Exactly how early is “dark and early”? Well, another way of looking at it would be, if you can navigate without a flashlight, you’re too late. I…
Many of the places I visit are known for their extraordinary beauty, striking features and eye-grabbing vistas that justifiably attract thousands of daily visitors and inspire millions of photographs. Stimulating scenes like these seem to be every nature photographer’s goal, but today I’d like to issue a shout-out to ordinary beauty—the simple scenes with the ability to soothe, by virtue of their subtle beauty,…