Making the Scene

Every photographer loves creating unique images. Planning workshops more than a year in advance, I always try to maximize my groups’ chances for macro events might enable my group to capture something special—things like Horsetail Fall or a moonrise in Yosemite, lightning at Grand Canyon, the Milky Way in New Zealand or Grand Canyon, and the northern lights in Iceland. (I’m not complaining,) but…

Shock and Awe

That night at dinner, one person in the workshop group asked if there was a chance we’d see the northern lights, or if he could safely have another beer. I laughed and told him, while I can’t predict the future, I’d be shocked if the northern lights happened this night and to just go ahead and have that beer. I’ve never been happier to…

Dressed to Chill

From brisk to chilly to freezing to downright frigid, we warm blooded humans have lots of labels for the discomfort imposed by low temperatures. But I’ve always felt that we need something beyond frigid, something that adequately conveys the true suffering low temperatures inflict, and would like to submit an even chillier option: stupid cold. At the risk of stating the obvious, “stupid cold”…

Distilling the Essence

The art of subtraction Presented with a complex world, the nature photographer’s job is to identify a scene’s visually interesting elements and figure out how to use them in an image. While most photographers have no problem seeing what to include in their images, many struggle with what to leave out. But the best pictures usually work at least as much for what’s not in…

Perfect Timing

In the Alabama Hills to photograph sunrise in neck-craning proximity to the Sierra Crest, I knew precisely what time, on this date, the sun’s first rays would color the towering granite, and exactly when a 98% moon would would disappear behind the left flank of Mt. Williamson, California’s second highest peak. Clocks and calendars enable us to time some aspects of our lives, like sunrises…

Distraction Subtraction

Last week’s blog image was an ultra-wide scene chockfull of beauty, ranging from nearby frosted trees and shrubs, to a sky filled with sunset pink clouds, topped with a small dot of moon. It took a bit of work, but I was eventually able to find the position and framing that allowed me to assemble these diverse elements into something coherent. But because nature…

Transcending the Trophy

Wonderland, Golden Circle, Iceland Sony a7R V Sony 12-24 GM 1/40 second F/11 ISO 200 With Horsetail Fall season about to kick off, this week I’m thinking about “trophy shots.” (My definition of a trophy shot is a commonly shared photograph of a scene captured previously by many others.) Often these are “iconic” tourist scenes, such Delicate Arch in Arches, or Multnomah Falls in…

This is My Office

More than 15 years ago I left a good job at an excellent (and very well known) tech company to pursue a career in nature photography. After all, I had a good camera and years of amateur photography experience—what could possibly go wrong? Turns out I had no interest in any of the kinds of photography that actually make money, so (in hindsight) my…

Know Your Subjects

One of my personal rules for photography is knowledge of my subjects—I simply get more pleasure from an image when I know something about what I’ve captured. Of the many potential subjects available to a landscape photographer, mountains have always been a particular draw for me. Living my entire life in the shadow of the Sierra Nevada has certainly influenced that connection, as have…

Yosemite Moonrise

Though last week’s harrowing story of a sneaker wave that drenched members of the Iceland photo workshop group had a (relatively) happy ending (R.I.P., 3 cameras and lenses), it generated more responses than any blog post in recent memory. Exactly one week later, that sobering reminder of Nature’s power and ability to surprise was still on my mind when I was gifted a reminder of…