Battered for millennia by earthquakes, floods, volcanic eruptions, and tropical cyclones, it’s no wonder Hawaii’s residents keep one eye on the ocean, the other on the mountains—all while closely monitoring the sky overhead. I’ve visited each of Hawaii’s major islands many times (okay, so technically, on Oahu I haven’t been outside the airport, which is its own sort of disaster), and have personally experienced…
Most people who rise before the sun do it because they have to. And sadly, because we’ve been so conditioned by a lifetime of rising for school and work, rushing to “pressing” obligations, the joys of early mornings never seem to outweigh the pleasure of staying in bed. While I won ‘t pretend that I truly relish a 4:30 a.m. alarm, not only have…
Lately I’ve been on a bit of a crusade against manufactured images in general, and AI use in particular. But, lest you perceive me as a luddite and old-school photography codger (“In my day, every shoot was a 5-mile uphill walk through snow in both directions, and sunrise always came at 1:00 a.m.”), let me just say that I am all-in on digital capture…
A funny thing happened to me on the way to this image. And when I say “on the way,” I don’t mean taking the picture, I mean after it was safely loaded onto my computer and fully processed, it seems that someone (who wishes to remain anonymous), accidentally overwrote it with a completely different image. Oops. Establishing a backup mindset Overwriting an image is…
By the time you read this, I’ll be done with my break and well into my Death Valley Winter Moon workshop. I’ll have gone from a stretch of two-and-a-half months with no workshops, to a stretch of one month with four workshops (and all the travel that entails): Death Valley, Iceland (10+ days), and two in Yosemite. And while I’ll kind of miss going…
As striking as they might be, some people find sunstars (AKA, diffraction spikes, sunbursts, or starbursts) gimmicky and cliché. When I (and pretty much any other landscape photographer) arrive at a location, of course I hope for some combination of dramatic clouds, vivid color, and soft light. But when the sun dominates the scene, it turns out that including a sunstar is usually the…
I’m in the midst of 11 days and two workshops chasing lightning at Grand Canyon. Despite daily 4:15 a.m. wake-ups, very late dinners, and lots of waiting for something to happen punctuated by bursts of extremely intense activity, I am in fact (to quote Cosmo Kramer) lovin’ every minute of it. The first workshop group photographed an assortment of monsoon thrills that included lightning,…
A few years ago I listened to an NPR show about time and the arbitrary ways we Earthlings measure it. The guest’s thesis was that the hours, days, and years we measure and monitor so closely are an invention established (and measured with increasing precision) by science and technology to serve society’s specific needs. A question posed to listeners was, “What is the most…
Usually when you arrive at a scene you have a pretty good idea of the landscape features in store. There’s El Capitan, or the Wanaka Willow tree, or Deer Creek Fall, or any number of stationary landscape icons photographers flock to—your job is simply to find the best way to render this permanent beauty. To further assist the process, you can probably even tap…
Born and raised in California, my relationship with fog is both long and complex. I spent the first 12 years of my life in the San Joaquin Valley, where winter “tule fog” could be so thick that sometimes drivers could only navigate by opening the door and hanging their head out to follow the yellow line. Accidents involving dozens of cars were common. In…