He Ain’t Heavy,…

… He’s My Sony 12-24 f/4 G (With apologies to The Hollies.) The road is long, with many a winding turn… But that’s no excuse to cut corners. Probably the question I am most asked on location is some variation of, “What lens should I use?” While I’m always happy to answer questions, this one always makes me cringe because the implicit question is,…

Are you insane?

Are you insane? Albert Einstein defined insanity as doing the same thing over and over, but expecting different results. Hmmm. For some reason this reminds me of the thousands of good landscape photographers with hundreds of beautiful images they can’t sell. These photographers have a good eye for composition, own all the best equipment, know when to be at the great locations, and are virtual…

Permanent Change

Surrounded by towering granite walls that seem so permanent, Yosemite Valley is America’s poster-park for enduring beauty. But in the grand geological scheme, there’s nothing permanent about Yosemite. In my lifetime Yosemite has been visibly altered by drought, flood, and rockslides (not to mention human interference). Predating my arrival, Yosemite’s Anglo conquerors had a profound affect on the flora and fauna that prevailed in…

Snow Job

I’m afraid that making a living as a photographer sometimes means exchanging time to take pictures for time to make money. On the other hand, my schedule is mine alone, which means when there’s something I really, really want to photograph, such as a moonrise or fresh snow in Yosemite, I can usually arrange my schedule to make it happen. The moon shoots I…

Mirrorless Metering

Because I don’t want my camera making any decisions for me, I’ve always metered in manual mode. For most of my photography life, my manual metering approach was to start with the best f-stop for my composition, spot-meter on the brightest part of the scene, and dial my shutter speed until the meter indicated the proper tone. In my film days I sometimes hedged…

It’s All a Blur: Photographing Moving Water

One of the questions I’m asked most is how to blur water. It’s really not that hard when you know how to control your exposure variables, and in fact if you’re photographing moving water in the right light, it’s easier to blur the water than it is to freeze it. Here are the essential elements for blurred water: Sturdy tripod: The longer the shutter is…

Putting the Gorge in Gorgeous

I recently spent some time going through and processing a bunch of Columbia River Gorge images, from many years of visits, I haven’t had time to get to until now. This is the first of several I’ll be posting over the coming weeks. The first time I visited the Columbia River Gorge, I couldn’t believe I’d lived my entire life without visiting here. For…

Should I or shouldn’t I?

I get a lot of questions in the field during a photo workshop, but about 80% of them are some version of, “Should I do it this way or that way?”: “Should I use a polarizer (or not)?” “Should I shoot this horizontal or vertical?” “Should I shoot this wide or telephoto?” “Should I include that rock or leave it out?” “Should I…?” Sometimes…

Under the Influence

Happy Birthday, Ansel Adams Ansel Adams’ influence on photography is impossible to measure. Not only Adams’ influence on photographers, but his influence on the viewers of photography as well. Ask 100 people to name a photographer and 99 will name Ansel Adams; ask them to name a second photographer and you’ll get 99 different names. Through his use of relationships, perspective, and tones, Adams’…

Weather or not

When the weather gets crazy, do you sprint for cover or reach for your camera? Your answer may be a pretty good indicator of your success as a landscape photographer. It’s an unfortunate fact that the light, color, and drama that make the most memorable landscape photos all come when most sane people would rather be inside: at sunrise, when the rest of the world…