These Are Two of My Favorite Things

Camera or not, two of my very favorite things in nature are a rising moon, and the rich pink and blue twilight sky opposite the sun after sunset*. Once a month, in the days around the full moon, these phenomena converge, and I get an opportunity to photograph the moon actually in the best part of the sky. I spend a lot of time…

Shooting the Light Fantastic

Blue sky may be great for picnics and outdoor weddings, but it makes for lousy photography. To avoid boring blue skies, flat midday light, and extreme highlight/shadow contrast, landscape photographers usually go for the color of sunrise and sunset, and low-angle sunlight of early morning and late afternoon. Of course the great light equalizer is clouds, which can soften harsh light and add enough…

Getting Personal

In my previous blog post I wrote about creating visual relationships between landscape subjects—juxtaposing disparate elements in a scene in ways that move or stop viewers’ eyes. But I’m also a strong believer in the power of personal relationships with landscape subjects. Whether it’s the celestial choreography that decorates our night skies, the atmospheric machinations that spawn thunderstorms and paint rainbows, or the geological processes that…

Stop the Car!

Nature photography is all about identifying and creating relationships—between subjects, or between subjects and their environment. The relationships in some of my images require meticulous planning to align a predetermined foreground subject with a celestial feature like the Milky Way or a rising/setting moon. Other relationships happen when I travel to combine a beloved location like Yosemite with natural phenomena like fresh snow or fall color. And…

Every Picture Tells a Story

Let’s have a show of hands: How many of you have been advised at some point in the course of your photographic journey to “tell a story with your images”? Okay, now how many of you actually know what that means? That’s what I thought. As good as the “tell a story” advice is (it is indeed), many photographers, with the best of intentions,…

Motion in Nature

As a landscape photographer, I often joke that I don’t photograph anything that moves—no wildlife, no pets, no portraits, no sports. And don’t even think about asking me to do your wedding. I’ve always been a deliberate shooter who likes to anticipate and prepare my frame with the confidence my shot will still be there when I’m ready—landscape photography suits me just fine (thankyouverymuch)….

I Love Trees

I love trees, and try to feature them in my images as much as possible. When I say “feature,” I don’t mean simply including trees in an image (pretty hard to avoid as a landscape photographer with an affinity for California’s foothills and mountains), I mean actually using a tree or trees as the basis for my composition. Given my love for trees, I’m…

Yosemite’s Intimate (and Underrated) Beauty

Yesterday I got to spend a day in Yosemite. On my drive to Yosemite, In the back of my mind I was thinking that the day’s forecast of clouds with a chance of rain would be perfect for the intimate scenes I love so much. One of my go-to spots for this kind of photography is Bridalveil Creek, but it’s closed while NPS overhauls…

Reflecting on the Polarizer

Who else loves reflections? I don’t know about you, but I love photographing them, and even without a camera, I just love staring at them. Part of a reflection’s power is its ability to engage the brain in different ways than we’re accustomed: Rather than processing the scene directly, we first must mentally reassemble the reverse world of a reflection, and in the process perhaps see…

Mono Magic

Yesterday morning I wrapped up the first of two Eastern Sierra photo workshops with a truly glorious, and unique, sunrise at Mono Lake. The prior morning the group enjoyed a nice sunrise at Mono Lake’s far more heralded South Tufa, but for the final sunrise I like to take my groups to this isolated stretch of shoreline on the north side of the lake….