Weather or not

When the weather gets crazy, do you sprint for cover or reach for your camera? Your answer may be a pretty good indicator of your success as a landscape photographer. It’s an unfortunate fact that the light, color, and drama that make the most memorable landscape photos all come when most sane people would rather be inside: at sunrise, when the rest of the world…

Dynamic Juxtaposition

Much of my photography is about juxtaposition of elements with the landscape. Sometimes that’s simply combining static terrestrial features, but when possible I try to add something more dynamic, such as meteorological subjects like lightning or a rainbow, or celestial objects like the Milky Way or the Moon. The challenge with dynamic juxtapositions is timing—while the meteorological juxtapositions are usually a matter of playing…

Tapping the joy

The downside of turning your passion into your profession is that so many decisions are no longer based on the pleasure they bring. Since my early 20s, I’d been very happy as an amateur photographer, picking my photo destinations and the images I clicked for the sheer joy of it. But I knew becoming a professional photographer risked preempting that joy with photography decisions designed…

A few words about the “supermoon”

I used to resist using the supermoon label because it’s more of a media event than an astronomical event, and it creates unrealistic expectations. But since the phenomenon appears to be with us to stay, I’ve changed my approach and decided to take advantage of the opportunity to educate and encourage. What’s the big deal? So just what is so “super” about a “supermoon?”…

2017 in the Mirror

One of my favorite things to do at year’s end is to look back at the things that made the year memorable. And my favorite part of this exercise is the realization that, even though I can’t say how, I know I will indeed be similarly rewarded in the coming year. I’ll remember 2017 for several significant personal milestones, the many unexpected gifts from…

A Galaxy Far, Far Away

I won’t pretend that this picture is a creative achievement of any sort—I captured it at a Sony-organized night shoot during last month’s Sedona media event promoting the Sony a7RIII. All I did was attach my a7RIII to someone else’s telescope (equipped with a computerized tracking mechanism to cancel the earth’s rotation), dial in the recommended exposure settings, focus, and click my shutter. But that…

It’s only cold on the outside

We all all have different hot/cold comfort thresholds, a temperature above or below which it’s just too hot or cold to feel human. Of course wind and moisture can move the needle a little bit, but let me just say that regardless of the other factors, after spending a few days in Bryce Canyon NP co-teaching a workshop with Don Smith, I’ve determined that…

Photography’s Creativity Triad: Light

Photography’s Creativity Triad Rather than attempting to reproduce a scene exactly as we see it, enduring photographs reveal unseen aspects of our world. Capturing this hidden world requires understanding and mastery of photography’s “creativity triad,” the three aspects of a scene that distinguish the camera’s vision from human vision: motion, light, and depth. Light is arguably the single most important element in an image….

Yosemite Reflections

Rather than attempt the impossible task of choosing a favorite season in Yosemite, I find it easier to identify the things I like most about each season. From colorful fall to white winter to saturated spring, Yosemite becomes a completely different place with each season. (FYI, summer is for tourists.) But regardless of the season, I think it’s Yosemite’s reflections that make me happiest….

Playing with my new toy

Leading 15-20 photo workshops per year means coming to terms with photographing the same locations year in, year out. This is not a complaint—I only guide people to locations I love photographing—but it sometimes makes me long for the opportunity to capture something new. Which is why I’m loving visiting my familiar haunts with my newest lenses, the Sony 12-24 G and Sony 100-400…