Finding Focus in the Grand Canyon

I returned Friday from my annual Grand Canyon Raft Trip for Photographers and am playing catch-up on all aspects of my photography life. I’ve barely looked at the my raft trip images, but chose this one for a couple of reasons: first, because I think it perfectly conveys the intimate serenity that always catches me by surprise in this landscape known mostly for it’s…

Curing the Blues

Who doesn’t like blue skies? Well…, me. I’ll say it again: I. Don’t. Like. Blue. Skies. At least not for photography. As pleasant as blue sky is for a stroll on the beach or picnic at the park, it’s just plain boring in a picture, and I do everything in my power to avoid an empty sky in my images. Don’t believe me? Check…

Yosemite Spring

There are many (many!) beautiful sights in Yosemite, but when most people think about Yosemite, they think about waterfalls and granite. The granite is forever (virtually), but Yosemite’s waterfalls come and go with the season: exploding from the granite walls in spring, most of Yosemite’s waterfalls are bone dry by summer’s end. And some years are better than others—three springs ago, Bridalveil and Yosemite…

Natural Order

I’m often asked if I placed a leaf, moved a rock, or “Photoshopped” a moon into an image. Usually the tone is friendly curiosity, but sometimes it’s tinged with hints of suspicion that can border on accusation. While these questions are an inevitable part of being a photographer today, I suspect that I get more than my share because I aggressively seek out naturally occurring subjects to isolate and emphasize in my…

The Shocking Truth About Lightning

Every year for the last 10 (or so) years I’ve traveled to the Grand Canyon during the Southwest summer monsoon to photograph lightning. Not only have I captured hundreds of lightning strikes and lived to tell about it (yay), I’ve learned a lot. A couple of years ago I added an article sharing my insights on photographing lightning to my photo tips section. With…

All Wet

Last Monday seemed like the perfect day for a poppy shoot in the foothills. I had the afternoon wide open—with the California media buzzing about this year’s “superbloom,” plus a forecast promising ideal conditions (calm wind and thin clouds), I couldn’t help dreaming about my own images of poppy-saturated fields. What could possibly go wrong? Getting on the road proved a little more problematic than…

Macro in Spirit

It’s poppy season in California, and this is turning out to be a banner year. I’ve already enjoyed one nice poppy shoot, but things are just getting started in Northern California so I hope there are more to come. When I photograph poppies, I don’t always use my macro lens. Even though my objective is similar to what I’d accomplish with a macro lens—a…

Let There Be Light

In January I made my first visit to Iceland in preparation for the winter workshop I’ll be doing there with Don Smith next January. And after a lifetime spent in the middle latitudes, one thing that was impossible to ignore was the quality of the winter light at 65º (-ish) latitude. Not only do sunrises and sunset last forever, but during our entire visit…

Yosemite in a Raindrop

I’ve been to Valley View in Yosemite about a million times. For those not familiar with Yosemite Valley, Valley View (sometimes called Gates of the Valley) is the classic view of El Capitan, Cathedral Rocks, and Bridalveil Fall, with the Merced River in the foreground, that represents Yosemite in countless calendars, postcards, and advertisements. Though all this attention is justified, after a million visits…

Expose yourself

With advanced exposure and metering capabilities, cameras seem to be getting “smarter” every year. So smart, in fact, that for most scenes, getting the exposure right is a simple matter of pointing your camera and clicking the shutter button. That’s fine if all you care about is recording a memory, but not only is there more to your exposure decision than getting the amount…