Under the Influence

Happy Birthday, Ansel Adams Ansel Adams’ influence on photography is impossible to measure. Not only Adams’ influence on photographers, but his influence on the viewers of photography as well. Ask 100 people to name a photographer and 99 will name Ansel Adams; ask them to name a second photographer and you’ll get 99 different names. Through his use of relationships, perspective, and tones, Adams’…

Static Juxtaposition

My previous post was about dynamic juxtaposition in landscape photography—combining static landscape subjects with transient meteorological and celestial elements. The other side of the juxtaposition coin I call static juxtaposition: combining stationary landscape objects. I am a little reluctant to use the word “static” because there is one element that absolutely can’t be static in these compositions: You. Since I don’t photograph people or wildlife, I…

Are you tired of eclipse photos yet?

Since everyone else seems to be doing it, I thought I’d join the party…. I always schedule my Death Valley workshop to coincide with the January (or early February) full Moon, so it was just a coincidence that North America’s first super (a full Moon that’s within 90 percent of its closest approach to Earth), blue (the second full moon of a given month),…

It’s in the bag(s)

I just returned from a trip to Oregon with Don Smith. The prime purpose of our trip was to check out the fire damage in the Columbia River Gorge in advance of our annual spring workshop there. Because the damage in the areas where we take our groups wasn’t as severe as we’d feared, we didn’t need to spend a lot of time scouting…

Yosemite’s Rainbows

Despite being one Yosemite Valley’s most dramatic sights, Yosemite Falls can frustrate photographers. Its best light comes on winter mornings, when frigid temperatures in the high Sierra hold most of Yosemite Creek hostage until spring. But by the time the spring thaw has arrived, the sun rises behind Half Dome Yosemite Falls is in shade until midmorning. Adding insult to injury, not only do…

The first rule of photography: Just show up

A man with a plan It was New Year’s Eve and I was perched on a cliff overlooking Yosemite Valley, two feet from certain death and ten minutes from the rise of the largest full moon of 2018. While the death thing would have only been a problem if I’d have lost my mind, the moon’s appearance was entirely subject to the whims of…

2017 in the Mirror

One of my favorite things to do at year’s end is to look back at the things that made the year memorable. And my favorite part of this exercise is the realization that, even though I can’t say how, I know I will indeed be similarly rewarded in the coming year. I’ll remember 2017 for several significant personal milestones, the many unexpected gifts from…

Three Moons

This month’s Yosemite Winter Moon photo workshop group got the rare opportunity to photograph a full (or nearly full) moon rising above Half Dome at sunset on three consecutive nights. One reason it’s rare is that, as viewed from Yosemite Valley, the full moon and Half Dome only align in winter. But the real tricky part is making it happen three times when sunset…

A Galaxy Far, Far Away

I won’t pretend that this picture is a creative achievement of any sort—I captured it at a Sony-organized night shoot during last month’s Sedona media event promoting the Sony a7RIII. All I did was attach my a7RIII to someone else’s telescope (equipped with a computerized tracking mechanism to cancel the earth’s rotation), dial in the recommended exposure settings, focus, and click my shutter. But that…

Moon Over Yosemite

Large or small, crescent or full, I love photographing the moon rising above Half Dome. The alignment doesn’t work most months, so those months when the alignment is right, I do my best to be there. For last week’s Yosemite Winter Moon photo workshop I’d planned three moonrises: Thursday and Friday we got lucky with the never reliable December skies, but Saturday night concerned…