Variations on a stream

In my November 4 post, I wrote at length about a recent morning spent photographing a single leaf I found plastered to a rock beside Bridalveil Creek in Yosemite (and my feelings about staged scenes). While my entire shoot that morning was all about one found leaf, it was just the latest in a long succession of focused visits to Bridalveil Creek. Each time…

No leaves were harmed in the making of this image

“Did you put that leaf there?” I’m not sure how many more times I’ll need to answer that question, but let me just say that my answer will never change: No. I feel very strongly that photography needs to be a source of pleasure, and my pleasure from photography comes from discovering beauty in its natural state. But that’s just me—others enjoy staging images…

Cliché for a reason

It’s actually even a cliché just to say it, but some things really are “cliché for a reason.” And as much as I try to avoid the cliché shots in Yosemite, sometimes they just can’t be helped. My Yosemite Fall Color workshop began yesterday, and even though I’d spent all day Saturday in the park, yesterday morning a storm filled Saturday’s blue skies with…

We have met the enemy and he is us…

It seemed like such a good idea at the time. The Grand Canyon North Rim, fall color, and maybe even a thunderstorm or two. What could possibly go wrong? Well, let me tell you…. I’ve wanted to do this trip in the fall since my first visit to the North Rim. On my visit in August I polled local experts for the best time…

Reflections on the polarizer

Polarizer 101 Photographers who think a polarizer is only for darkening the sky miss opportunities to saturate color and and emphasize texture in shade or overcast. Even worse, some photographers screw on a polarizer without understanding how it works, mistakenly believing that merely having it attached is sufficient. The amount of polarization any composition calls for is a creative decision that can make or…

Isolation

I love sweeping panoramas, but when I’m alone I often gravitate to the intimate locations that make nature so personal. In Yosemite’s dark corners, places like Bridalveil Creek beneath Bridalveil Fall, and the dense mix of evergreen and deciduous trees lining Merced River near Fern Spring and the Pohono Bridge, I scour the trees and forest floor for subjects to isolate from their surroundings. Helping your subjects stand out…