Feel the love One frequently uttered piece of photographic advice is to “shoot what you love.” And while photographing the locations and subjects we love most is indeed pretty essential to consistently successful images, unless we treat our favorite subjects with the love they deserve, we risk losing them. My relationship with Yosemite predates my memories, so it’s no wonder that Yosemite Valley plays…
Cold, wet, exhausted, and ecstatic after a day-and-half of photographing Yosemite Valley glazed with new snow, my brother and I were ready to go home and count our treasures. Gingerly following my headlights down icy Highway 140, I rounded a bend a couple of miles downhill from the Arch Rock entrance station and found my path blocked by an iron gate spanning the road…
As you might imagine, between my own images, my photo workshop participants’ images, browsing other photographers’ pages, and simply being connected to social media, I see a lot of images. A. Lot. Of. Images. And curse or blessing, I can’t help but have opinions—whether my own images or others’, some work wonderfully, others not so much. There’s a lot that goes into creating a…
Last winter I spent a glorious day by myself in Yosemite Valley, photographing the vestiges of an overnight snowstorm. Inbound to the park the evening before, a continuous strand of outbound headlights reminded me how different a photographer’s priorities are from the general public’s. For a nature photographer, the best time to be outside seems to be everyone else’s worst time to be outside,…
A couple of weeks ago I wrote about how to photograph the moon big, the bigger the better, to overcome its tendency to (appear to) shrink in a wide angle image. But the moon doesn’t need to be big to be a striking addition to a landscape photo. To balance a landscape frame, I think in terms of “visual gravity” (or “visual weight”): how much…
The ability to earn my living visiting the most beautiful places in the world is plenty of reason for gratitude, but that’s not what I’m thinking about today. Today I’m thinking about all of the people my workshops have connected me with, and all the laughter and learning they have added to my life. I’d be lying if I said I wasn’t looking forward…
I’m afraid that making a living as a photographer sometimes means exchanging time to take pictures for time to make money. On the other hand, my schedule is mine alone, which means when there’s something I really, really want to photograph, such as a moonrise or fresh snow in Yosemite, I can usually arrange my schedule to make it happen. The moon shoots I…
Photography’s Creativity Triad Enduring photographs don’t duplicate human reality, they reveal unseen aspects of our world. Capturing this hidden world requires mastery of photography’s “creativity triad” that distinguishes the camera’s vision from human vision: motion, light, and depth. Photography is the futile attempt to squeeze a three-dimensional world into a two-dimensional medium. But just because it’s impossible to truly capture depth in a photograph, don’t…
After years of drought, in spring of 2016 I had the good fortune to photograph Yosemite Valley with actual flooding—nothing devastating, just enough for the Merced River to overspill its banks and create reflections where meadows normally exist. One such location was a spot beneath El Capitan, where I found myself faced with the challenge of capturing more scene than my 16-35 lens could…
On Saturday, with little fanfare, Alex Honnold stunned the climbing world when he free-soloed El Capitan in Yosemite, the world’s largest granite monolith. (What’s the big deal? From this image, you can clearly see that it’s downhill all the way….) But seriously… Speaking for all non-climbers, Alex Honnold didn’t just stun the entire climbing world, he stunned the entire rational world. Soaring three-thousand feet above Yosemite…