The ability to earn my living visiting the most beautiful places in the world is plenty of reason for gratitude, but that’s not what I’m thinking about today. Today I’m thinking about all of the people my workshops have connected me with, and all the laughter and learning they have added to my life.
I’d be lying if I said I wasn’t looking forward to the people part of photo workshops when I started, but I had no idea how much of the joy I get from leading photo workshops comes from the people. Over the last dozen or so years, my workshop students have taught me about their countries, professions, hobbies, religions,… I could go on. I’ve watched workshop participants from virtually every continent on Earth (no penguins yet), with wildly diverse values and world views, blend seamlessly and enthusiastically. Observing this, I’ve learned that despite the exterior tensions that seem to divide our world today, humans have far more in common than we imagine.
Like most people, I have my share of strong opinions about the way things in the world should be. But the people I’ve met in my workshops have shown me that a person’s “goodness” is not determined by his or her political views or any other category that we so conveniently like to slot people into. I’ve seen firsthand that no political affiliation, religious preference, gender, sexual orientation, or ethnicity has a monopoly on warmth, passion, generosity, empathy, patience, or humor. Even more encouraging, I don’t think these workshop epiphanies are mine alone. Workshop after workshop, I get to observe a dozen of the most diverse people imaginable not just set aside differences and work side-by-side, but actually form friendships that transcend conventional boundaries, deep friendships that often continue long after the workshop ends.
I went into the photo workshop business fully prepared to teach others, but completely unprepared for the learning others would offer me.
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With the fall color for this year’s Yosemite Fall Color and Reflections workshop peaking, I had to work overtime to balance the need for quality photo time at each stop with my desire to get my group to all the photo spots. On the workshop’s final day we finally made it to Cathedral Beach, a great up-close view of El Capitan that’s always good for reflections in the fall.
With El Capitan in full sunlight, the river in shade, and nothing stirring the water, all the ingredients were in place for a nice reflection. We’d been photographing reflections all week, but I didn’t get the sense that anyone was tiring of them. Drifting cottonwood leaves added to the beauty and the group quickly spread along a hundred yards or so in search of a composition to make their own.
Often shooting a scene like this I start wide, but this afternoon I started with my Sony 100-400 GM lens, playing with close-ups of the leaves and reflection. After wringing every possibility from this approach, I went to the other extreme and switched to my Sony 12-24 G lens. A wide composition needs a strong foreground, usually the closer the better, so I dropped down to river level and started working on variations of this scene.
While the water was calm, I was close enough to the leaves that even the slightest ripples risked motion blur, so to increase my shutter speed I dialed my Sony a7RIII to ISO 400. At 12mm I have a tremendous amount of depth of field, but the leaves were so close that I decided to play it safe and use f/16. After a check check of my hyperfocal app, I focused on a leaf about 18 inches from my camera knowing that would give me sharpness from the closest leave all the way out to El Capitan.
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