This month’s Yosemite Winter Moon photo workshop group got the rare opportunity to photograph a full (or nearly full) moon rising above Half Dome at sunset on three consecutive nights. One reason it’s rare is that, as viewed from Yosemite Valley, the full moon and Half Dome only align in winter. But the real tricky part is making it happen three times when sunset…
Large or small, crescent or full, I love photographing the moon rising above Half Dome. The alignment doesn’t work most months, so those months when the alignment is right, I do my best to be there. For last week’s Yosemite Winter Moon photo workshop I’d planned three moonrises: Thursday and Friday we got lucky with the never reliable December skies, but Saturday night concerned…
We all all have different hot/cold comfort thresholds, a temperature above or below which it’s just too hot or cold to feel human. Of course wind and moisture can move the needle a little bit, but let me just say that regardless of the other factors, after spending a few days in Bryce Canyon NP co-teaching a workshop with Don Smith, I’ve determined that…
As a self-employed landscape photographer, I’m governed by far more primitive time measurement constructs than the bustling majority. I work when there’s work to be worked, and (fingers crossed) play when there’s play to be played. The business side of my life sometimes requires a clock and calendar, but the actual photography part of my life is governed by fundamental laws of nature that…
With virtually every still camera now equipped with video capability, the last few years have seen an explosion of nature videos. When done well, videos of nature can be quite effective, conveying motion and engaging both eyes and ears to reveal the world in a manner that’s closer to the human experience than a still image is. But like other sensory media whose demise has been anticipated by the arrival of…
Photographers are responsible for every square inch of their frame—not just the primary subject, but every other point of visual interest, and the relationships of those points to each other. Nevertheless, there’s a natural tendency give too much attention to the primary subject at the expense of the rest of the scene. The result is moments in nature that felt special in person fall flat in an image. I’m a…
One perk of being a photographer is the opportunity to experience normally crowded locations in relative peace. That’s because the best nature photography usually happens at most people’s least favorite time to be outside: crazy weather and after dark. A couple of weeks ago in Yosemite I got the opportunity to enjoy both. After spending a snowy Sunday guiding a couple around Yosemite Valley in a snowstorm, I…
“… the mighty Sierra, miles in height, and so gloriously colored and so radiant, it seemed not clothed with light but wholly composed of it, like the wall of some celestial city…. Then it seemed to me that the Sierra should be called, not the Nevada or Snowy Range, but the Range of Light.” — John Muir Anyone who has spent time in or…
Are you insane? Albert Einstein defined insanity as doing the same thing over and over again and expecting different results. Hmmm. For some reason this makes me think of the thousands of aspiring landscape photographers with portfolios brimming with beautiful images that they can’t sell. Despite a great eye for composition, all the latest gear, insider knowledge of the best locations, and virtual guru status with Photoshop, somehow they haven’t managed to separate themselves from the large pack…
The problem Cameras struggle to capture simultaneous detail in bright highlights (the moon) and and dark shadows (the landscape)—capturing one or the other is easy, but both? Not so much. A full moon is daylight bright, but because a full moon rises at sunset and sets at sunrise (more or less, depending on exactly how full the moon is when it rises/sets, and the elevation of the horizon the…