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In my Snow day post a few days ago, I shared the story of an overnight dash to Yosemite to photograph snow. I wrapped up that long day photographing various Yosemite Valley views in the frigid damp, bundled at Tunnel View, waiting in vain for the storm to clear. The sky was darkening quickly, and when a dense cloud engulfed my view I decided my (pretty sweet) day was…
From my front door I can be in Yosemite Valley in less than four hours (including a stop for gas and another for Starbucks). I enjoy the drive and am not averse to doing a one day up-and-back when I think something special is in store. And nothing is more special than a chance to photograph Yosemite with fresh snow. My most recent Yosemite…
Inexperienced photographers tend to approach every scene with the idea that there’s one “best” shot, and that other photographers already know what that shot is. This might explain why there’s no better way to meet other photographers than to set up a tripod (I’ve learned that this even works on the shoulder of a busy highway with no obvious view). It might also explain why the most frequent question asked in…
If you’re content with derivative snaps of pretty scenes, a tripod may not be for you. But for those who agree that, rather than regurgitating a rough representation of the world as we know it, landscape photography should reveal deeper, less obvious natural truths—things like relationships between diverse elements, an intimate exploration of larger scenes, detail and pattern lost in the blur of motion—there is no substitute for a…
I hate arriving at a photo destination for the first time and having to immediately hit the ground running. Over the years I’ve come to appreciate the value of advance knowledge of landscape and light, and always try to factor in ample scouting time before getting down to serious shooting. On the other hand, a prime reason people sign up for a photo workshop is to shortcut the…
Last week I said goodbye to my Sony a7S. More than any camera I’ve owned, this is the camera that overcame photography’s physical boundaries that most frustrated me. I’ve been interested in astronomy since I was ten, ten years longer than I’ve a been photographer. But until recently I’ve been thwarted in my attempts to fully convey the majesty of the night sky above a grand landscape. What was…
Yosemite is known for its waterfalls, but I gotta say, I think I’m happiest photographing Yosemite when the falls are dry. Not that I don’t love Yosemite’s waterfalls (I do!), but when the falls are dry, the Merced River has slowed to a reflective crawl that paints reflections everywhere. And as an added bonus, when the falls dry up, so do the crowds. Last month I spent…
About a month ago I huddled with my Eastern Sierra workshop group on a mountainside in the White Mountains (east of Bishop). We were waiting for the stars to come out, but after driving over an hour on a road that would test anyone’s motion sickness resistance, hiking a steep half mile in the thin air above 10,000 feet, and waiting out a couple of rain showers, it looked like…
A few years ago, Don Smith and I were browsing the gallery of a famous landscape photographer when we came across a striking image of a tree silhouetted against a huge moon. Because the image was clearly a composite—a tree picture transposed atop a picture of a huge moon—we were initially shocked, but soon simply amused by the photographer’s dramatic, “blood pulsing” fiction of his “capture.” To this day, merely quoting a few…
It’s reflection season in Yosemite, that time of year when the falls are dry and the Merced River slows to a glassy crawl. Plugging in the golds and reds of autumn makes this my favorite time for creative photography in Yosemite, and explains the volume of Yosemite autumn images in my portfolio. It also explains why I’ve been to Yosemite three times this month. The month’s first visit, with my Eastern Sierra workshop group, we photographed high…
Eloquent Images by Gary Hart 