Drafting an image Few writers create a polished piece of writing in a single pass—most start with a draft that gets refined and tightened until it’s ready for publication. It’s an incremental process that builds upon what’s already been done. As somebody who has been writing and taking pictures for a long time, I’ve found a real connection between the creation process of each…
If there’s anything on Earth more magical than Yosemite with fresh snow, I haven’t seen it. The problem is, Yosemite Valley doesn’t get tons of snow—its relatively low elevation (about 4,000 feet) means the valley often gets rain when most of the Sierra gets snow. And when snow does fall here, it doesn’t stay on the trees for more than a few hours (if you’re…
I’ve spent a lot of the last few months photographing “big picture” locations: Hawaii, the Grand Canyon, Bryce/Zion, Arches/Canyonlands, Yosemite. Visiting these spots, it’s impossible to not be sucked in by the grandeur, often at the expense of more intimate beauty right in front of you. But because nature’s beauty doesn’t need to shout, I make a conscious effort to mix intimate photo opportunities in with…
Imagine that you want to send an eight-inch fruitcake to your nephew for Christmas (and forget for a moment that you’ve been come that relative), but only have a six-inch box. You could cut off one end or the other, squish it, or get a bigger box. If the fruitcake represents the light in a scene you want to photograph, your camera’s narrow dynamic…
Is there ever a bad sunset in Hawaii? My preliminary investigation seems to indicate that the answer is probably no, but I think a definitive answer requires more research—a task for which I’m more than happy to volunteer (that’s just the kind of guy I am). As far as I can determine, most every day in Hawaii seems to include some combination of clouds…
Wow, it seems like only yesterday that the moon was just tiny dot hovering above Half Dome. What happened? No, the moon didn’t magically expand, nor did I enlarge it digitally and plop it into this image. What happened is that I waited two days and moved back; what happened is the difference between 40mm and 400mm; what happened is a perfect illustration of the…
The highlight of my just completed Yosemite Autumn Moon photo workshop was a full moon rising above Half Dome at sunset. But rather than settle for just one Half Dome sunset moonrise, I’d “arranged for” three. Clouds shut us out on sunset-moonrise number two, but sunset-moonrise number one was a huge success. (And sunset-moonrise number three, from Tunnel View, was so special that I’ll dedicate…
(Okay, so technically it’s a river.) Spending last week co-leading Don Smith’s Bryce/Zion workshop, I got a taste of my own medicine: the first opportunity to photograph something I’ve long wanted to photograph (usually I’m the one showing others something for the first time). In this case it was Zion’s (aptly named) Narrows, a deep gouge carved in red sandstone by millions of years of…
In my November 4 post, I wrote at length about a recent morning spent photographing a single leaf I found plastered to a rock beside Bridalveil Creek in Yosemite (and my feelings about staged scenes). While my entire shoot that morning was all about one found leaf, it was just the latest in a long succession of focused visits to Bridalveil Creek. Each time…
“Did you put that leaf there?” I’m not sure how many more times I’ll need to answer that question, but let me just say that my answer will never change: No. I feel very strongly that photography needs to be a source of pleasure, and my pleasure from photography comes from discovering beauty in its natural state. But that’s just me—others enjoy staging images…