It’s personal

Some of my oldest, fondest Yosemite memories involve Glacier Point: Craning my neck from Camp Curry, waiting for the orange glow perched on Glacier Point’s fringe to grow into a 3,000 foot ribbon of fire; stretching on tiptoes to peer over the railing to see the toy cars and buildings in miniature Yosemite Valley; standing on the deck of the old Glacier Point Hotel…

Returning to the scene of the crime

My Bridalveil Dogwood image is eight years old now. It remains one of my most popular images, and is still a personal favorite because it represents so many of my personal goals for each image: Use camera’s unique vision to reveal nature’s frequently overlooked details Manage the front-to-back plane to create the illusion of depth Guide the eye and create location context with selective…

Making lemonade at the Grand Canyon

We’ve all heard Dale Carnegie’s trite maxim, “When life gives you lemons, make lemonade.” Of course these pithy statements become popular because they resonate with so many people, photographers included. And it seems that not only are the photographers who adopt this attitude more productive, they’re just plain happier. For example…. Few pursuits are more frustrating than trying to predict Mother Nature’s fickle whims….

Looking a little closer

My print sales tell me that it’s the familiar, dramatic vistas that people are most interested in (not that there’s anything wrong with that), but what I most like photographing is the often overlooked details that make nature special. While I do my share of landscape retreads–because there are reasons these scenes are popular and I’m still a sucker for natural beauty–when left to…

The best laid plans…

The plan was to photograph a full moon rising at the end of the Merced River Canyon, just to the right of Bridalveil Fall, at sunset. It was the final night of last week’s Yosemite Spring: Moonbow and Wildflowers photo workshop, and the moonrise was to be the grand finale. But after a day photographing poppies and waterfalls beneath a sky mixed with sun and…

Poppies!

I love photographing poppies. Just sayin’….. What is macro photography? The generally accepted definition of a macro image is one in which the subject is at least as large on the sensor as it is in reality. When we photograph an expansive landscape, we’re cramming the entire scene (with the help of a carefully crafted lens) onto a 24mm x 36mm sensor (that’s 35mm full…

The Road to Hana

In my parents’ day, Maui’s “Road to Hana” was something to be achieved. Negotiating the narrow, undulating, muddy, potholed, serpentine, lonely jungle track was a badge of honor, something akin to scaling Everest or walking on the moon. Today’s Hana road has been graded, paved, and widened just enough to accommodate a double yellow line that creates the illusion of space for one car…

Chomping at the bit

It’s been over a week since my last post. I have 350 Maui images on my hard disk, calling my name, but I’ve been so busy since coming home that I haven’t touched them. To give you an idea how busy I’ve been, last Tuesday my new 5D MarkIII arrived and I haven’t clicked the shutter once. That will change in a few days…

Autumn Leaves (and winter arrives)

I’ve been in Maui since Monday (scouting for a new workshop), and despite the fact that there’s more to photograph here than there is time to photograph (seriously), I still find time to check the Yosemite webcams every day. In fact, even surrounded by all this tropical splendor, I’ll admit to a few pangs of homesickness when today’s webcams showed fresh snow, with more falling,…

Starry, starry night

Yosemite is beautiful any time, under any conditions, but adding stars to the mix is almost unfair. I started doing night photography here on full moon nights about six or seven years ago, but recently I’ve enjoyed photographing the exquisite starscape of moonless Yosemite nights. With no moonlight to wash out the sky, the heavens come alive. Of course without moonlight visibility is extremely…