Distilling the Essence

The art of subtraction Presented with a complex world, the nature photographer’s job is to identify a scene’s visually interesting elements and figure out how to use them in an image. While most photographers have no problem seeing what to include in their images, many struggle with what to leave out. But the best pictures usually work at least as much for what’s not in…

Perfect Timing

In the Alabama Hills to photograph sunrise in neck-craning proximity to the Sierra Crest, I knew precisely what time, on this date, the sun’s first rays would color the towering granite, and exactly when a 98% moon would would disappear behind the left flank of Mt. Williamson, California’s second highest peak. Clocks and calendars enable us to time some aspects of our lives, like sunrises…

Distraction Subtraction

Last week’s blog image was an ultra-wide scene chockfull of beauty, ranging from nearby frosted trees and shrubs, to a sky filled with sunset pink clouds, topped with a small dot of moon. It took a bit of work, but I was eventually able to find the position and framing that allowed me to assemble these diverse elements into something coherent. But because nature…

Transcending the Trophy

Wonderland, Golden Circle, Iceland Sony a7R V Sony 12-24 GM 1/40 second F/11 ISO 200 With Horsetail Fall season about to kick off, this week I’m thinking about “trophy shots.” (My definition of a trophy shot is a commonly shared photograph of a scene captured previously by many others.) Often these are “iconic” tourist scenes, such Delicate Arch in Arches, or Multnomah Falls in…

This is My Office

More than 15 years ago I left a good job at an excellent (and very well known) tech company to pursue a career in nature photography. After all, I had a good camera and years of amateur photography experience—what could possibly go wrong? Turns out I had no interest in any of the kinds of photography that actually make money, so (in hindsight) my…

Know Your Subjects

One of my personal rules for photography is knowledge of my subjects—I simply get more pleasure from an image when I know something about what I’ve captured. Of the many potential subjects available to a landscape photographer, mountains have always been a particular draw for me. Living my entire life in the shadow of the Sierra Nevada has certainly influenced that connection, as have…

Yosemite Moonrise

Though last week’s harrowing story of a sneaker wave that drenched members of the Iceland photo workshop group had a (relatively) happy ending (R.I.P., 3 cameras and lenses), it generated more responses than any blog post in recent memory. Exactly one week later, that sobering reminder of Nature’s power and ability to surprise was still on my mind when I was gifted a reminder of…

Clicking the Lights Fantastic

I woke in my hotel room this morning to find a 6-inch snow drift (I measured) on the floor beneath my window, and still more snow frosting the curtains and wall. An expanding glacial lake stretched almost to my bed. Honestly, the risk of turning my room into an ice cave is never a consideration when opening the window at bedtime back home—but this…

Doing the Scene Justice

Woe is me I just returned from nearly a week in Death Valley, where I had virtually no connectivity (wifi at my hotel made the Grand Canyon North Rim feel like a Silicon Valley Starbucks). Workshop or not, I try to post something on social media every day, and a new blog article each Sunday, but with no wifi and spotty 3G cellular that struggled…

Dare To Be Different

What does it take to make a great landscape image? The answer to that question could fill volumes (so I hope you don’t expect the final word in one blog post), but for starters, it seems pretty obvious that a great landscape image should involve some combination of beautiful scene and compelling composition. Of course it’s possible for one side of that scale to tilt…