Natural Order

I’m often asked if I placed a leaf, moved a rock, or “Photoshopped” a moon into an image. Usually the tone is friendly curiosity, but sometimes it’s tinged with hints of suspicion that can border on accusation. While these questions are an inevitable part of being a photographer today, I suspect that I get more than my share because I aggressively seek out naturally occurring subjects to isolate and emphasize in my…

All Wet

Last Monday seemed like the perfect day for a poppy shoot in the foothills. I had the afternoon wide open—with the California media buzzing about this year’s “superbloom,” plus a forecast promising ideal conditions (calm wind and thin clouds), I couldn’t help dreaming about my own images of poppy-saturated fields. What could possibly go wrong? Getting on the road proved a little more problematic than…

Macro in Spirit

It’s poppy season in California, and this is turning out to be a banner year. I’ve already enjoyed one nice poppy shoot, but things are just getting started in Northern California so I hope there are more to come. When I photograph poppies, I don’t always use my macro lens. Even though my objective is similar to what I’d accomplish with a macro lens—a…

Yosemite in a Raindrop

I’ve been to Valley View in Yosemite about a million times. For those not familiar with Yosemite Valley, Valley View (sometimes called Gates of the Valley) is the classic view of El Capitan, Cathedral Rocks, and Bridalveil Fall, with the Merced River in the foreground, that represents Yosemite in countless calendars, postcards, and advertisements. Though all this attention is justified, after a million visits…

Focus Magic

As we enter the fall color photography season, I’m revisiting and revising previous articles. This is the third in the series. In this day of ubiquitous cameras, automatic exposure, and free information, a creative photographer’s surest path to unique images is achieved by managing a scene’s depth. While anyone with a camera can compose the left/right/up/down aspect of a scene, the front/back plane, a scene’s depth (that we human’s take…

Aspen abstract

I recently started rereading Ansel Adams’ “Examples: The Making of 40 Photographs,” a book I’d recommend to anyone interested in the thinking side of photography. Though much of the book covers equipment and techniques that are irrelevant to today’s digital photographer, Adams’ words reveal a vision and mastery of craft that transcends technology. Like him or not (I do!), you can’t deny that Ansel Adams possessed an…