Rules are a crutch

Aloha from Hawaii! Let’s have a show of hands: Who feels like their photography has stagnated? Let me suggest to all with your hands up that what’s holding you back may be the very rules that helped elevate you to your current level of proficiency. I’ll be the first to acknowledge that rules are important, the glue of civilization. Bedtimes, homework, and curfews got…

Going wide

After years of drought, in spring of 2016 I had the good fortune to photograph Yosemite Valley with actual flooding—nothing devastating, just enough for the Merced River to overspill its banks and create reflections where meadows normally exist. One such location was a spot beneath El Capitan, where I found myself faced with the challenge of capturing more scene than my 16-35 lens could…

Yosemite game-changer

“Game changer” is most certainly a cliché, but every once in a while I get to use the term without shame. I used it when I switched from film to digital; again when I discovered that the Sony a7R (and now the a7RII) gave me 2- to 3-stops more dynamic range than my Canon 5DIII; one more time when I first turned the Sony…

Seeing the future

Ansel Adams and visualization Most photographers know that Ansel Adams visualized his prints, and the darkroom work necessary to create them, before clicking the shutter. This ability to look into the future of each capture is part of what set Ansel Adams apart from his peers. But Adams’ extensive darkroom work is often cited by digital photographers defending their over-processesed images. We’ve all heard…

A star in the east

When Sony asked Don Smith and me to try out their new lenses, I immediately knew where I wanted to be in Yosemite with the 12-24 f4 G lens. After great success photographing El Capitan and Half Dome as I’ve never been able to before (okay, well there was that one time last year when I borrowed a friend’s ultra-wide lens), I was ready…

The cat’s out of the bag…

For about three weeks I’ve had to bite my tongue about two new Sony lenses I got to try out a few weeks ago. But yesterday Sony announced their brand new 16-35 f2.8 GM and 12-24 f4 G lenses and I’m free to share. I spent most of this week just outside of Santa Barbara, California with a hundred or so Sony Artisan and Creative Collective photographers at Sony’s…