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There’s something to love about each season in Yosemite. In winter it’s snow—never a sure thing, but when it happens, it feels like hitting the jackpot. Come spring the waterfalls have filled, the valley is green, and the dogwood are popping. And while the crowds keep me away from Yosemite Valley in summer, this is the season to explore the exposed granite and pristine…
I just wrapped up my Yosemite Fall Color and Reflections photo workshop, my first workshop since February. And as you can see from this image taken on our final morning, this year’s workshop absolutely lived up to its name. We enjoyed lots of fall color, and reflections at virtually every twist and turn of the Merced River. We also got to photograph a nearly…
One of the great joys of making my living photographing nature is the opportunity to witness the most beautiful scenes in the world. The problem is, most of these places aren’t a secret, so it can be difficult to have them at their best: alone. Fortunately, the best time to take pictures is usually the worst time to be outside—like rain and snow, freezing…
“Natural” is a moving target that shifts with perspective. Humans experience the world as a 360 degree, three-dimentional, five-sense reel that unfolds in an infinite series of connected instants that our brain seamlessly assembles as quickly as it arrives. But the camera discards 80 percent of the sensory input, limits the view to a rectangular box, and compresses all those connected instants into a single, static frame. In other words, it’s impossible for…
(Or, Channeling My Inner Oz) With virtually every still camera now equipped with video capability, the last few years have brought an explosion of nature videos. When done well, videos can be extremely powerful, conveying motion and engaging both eyes and ears to reveal the world in a manner that’s closer to the human experience than a still image is. But like other sensory media whose demise has been…
This morning, while going through unprocessed images looking for something to blog about, I came across this image from last June in New Zealand. I realize the world probably doesn’t need any more pictures of this tree (which is why I’d never processed it), but after nearly two months of smoky skies that have robbed California of anything close to a normal sunset, sunrise/sunset…
Photography is the futile attempt to squeeze a three-dimensional world into a two-dimensional medium. But just because it’s impossible to truly capture depth in a photograph, don’t think you shouldn’t consider the missing dimension when crafting an image. For the photographer with total control over his or her camera’s exposure variables (which exposure variable to change and when to change it), this missing dimension provides…
This is an updated version of the “Big Moon” article from my Photo Tips section, plus the story of this image (below) Nothing draws the eye quite like a large moon, bright and bold, above a striking foreground. But something happens when you try to photograph the moon—somehow, a moon that looks to the eye like you could reach out and pluck it from…
This is the second of my two-part fall color series Read part one: The Why, How, and When of Fall Color Vivid color and crisp reflections make autumn my favorite season for creative photography. While most landscape scenes require showing up at the right time and hoping for the sun and clouds to cooperate, photographing fall color can be as simple as circling your subject until…
Autumn is right around the corner. To get things started, I’ve updated a previous post that demystifies why, how, and when of fall color. Few things get a photographer’s heart racing more than the vivid yellows, oranges, and reds of autumn. And the excitement isn’t limited to photographers—to appreciate that reality, just try navigating New England backroads on a Sunday afternoon in the fall. Innkeeper…
Eloquent Images by Gary Hart 