Addition by Subraction

Sometimes making a good photo is as much about what you leave out as it is about what you put in. The downfall of many images, both mine and others’, is the inclusion of too much visual activity—sometimes that activity is simply unappealing visual busyness, but often it’s elements that are visually appealing in their own right, but nevertheless distract from the main point…

Some Advice for Nikon Shooters (from a Sony Shooter)

Yesterday Nikon finally jumped into the mirrorless game with its Z6 and Z7 announcement, a welcome development that can only keep pushing everyone’s mirrorless technology forward. I made the switch to mirrorless about four years ago and haven’t looked back. At the beginning mirrorless was touted for its compactness, and while mirrorless bodies (and to a lesser extent, lenses) are more compact, it turns…

Stop Being So Negative!

Lightning (at a safe distance) is pretty cool. It has always fascinated me, partly for the ephemeral power that can explode a tree and disappear before my brain can register its existence, but also because lightning is a rare sight for these California eyes. What what exactly is going on in a lightning bolt? I thought you’d never ask…. The shocking truth about lightning…

Something’s Burning

Sun and Smoke, Bright Angel Point, Grand Canyon Sony a7RIII Sony 100-400 GM Sony 2x teleconverter ISO 200 f/11 1/50 second Tom Petty has a line that goes, “Most of the things I worry about, never happen anyway.” And one of the things I worry about most is, what if I schedule a workshop and the conditions are so lousy that no one gets any…

Anchor Management

Virtually every scene I approach with a camera is beautiful, but a beautiful scene is rarely enough for a great image. Human experience of the world differs greatly from what the camera captures—the photographer’s job is to understand and use those differences. I’ve always felt that viewers of an image are more comfortable exploring the frame—and therefore tend to linger longer with the image—when…

Right Vs. Left

Two photographers approach the same scene: One can clearly visualize a uniquely beautiful image, but he has no idea how to achieve it. The other is so intent on finding the hyperfocal point for her lens’s “sweet spot” focal length and f-stop that she barely registers the beauty before her. While most photographers don’t fall at these extremes of the creative/analytical continuum, the vast…

That’s so fake…

We’ve all heard it: “That’s so fake,” or “You Photoshopped that,” or some other derisive barb implying that an image is trying to be something it isn’t. But before you say that about this image, let me say that I processed it five times, each time dialing down the saturation, attempting to create something that would appear credible to the dubious masses. And with…

Oh, What a Night…

(Jump to the bottom for a “how-to” and my starlight photography exposure recipe) Five photographers followed bouncing headlamps through the chilly dark. Even in midday the trail through the dense rainforest surrounding Lake Matheson has a twilight feel; on a moonless winter night like this, the path becomes downright cave-like. Soon our footsteps were in sync, each tap broken by a beat of eerie silence….

Off to a great start

It’s a little ironic that on my first day back from New Zealand, I’m (finally) starting a blog post about the start of my winter workshops there. When I departed for New Zealand about a month ago, I had the best intentions to post several times per week, but soon realized there was going to be precious little time for that. I’ve processed a…

Escaping Summer

(If you subscribe to my Image of the Month e-mail and this post seems familiar, it’s because I borrowed the text from my June message.) I just checked the date of my last post, I couldn’t believe how long it’s been. But I have a good excuse, I swear: I’ve been busy. Busy taking pictures, busy leading workshops, busy checking in and out of…