Out of my depth

A couple of weeks ago I wrote about appreciating the small stuff. Writing that article opened my eyes to how much I’d gotten away from aspects of photography that give me great pleasure, and that were a big part of my photographic style. Not completely away, but far enough to notice a difference when reviewing my images from the last year or so, a year that coincides with my switch…

Fallen color

When you’re surrounded by beautiful scenery, it’s easy to overlook the small details that make a scene special. But there’s no substitute for the pleasure that comes from spending a little time in a scene, identifying its intricacies, and creating an image that conveys this connection to others. Capturing these intricacies can be the most rewarding aspect of photography, because they’re almost always uniquely reflective your…

The dark night

How to offend a photographer Gallery browser: “Did you take that picture?” Photographer: “Yes.” Gallery browser: “Wow, you must have a good camera.” Few things irritate a photographer more than the implication that it’s the equipment that makes the image, not the photographer. We work very hard honing our craft, have spent years refining our vision, and endure extreme discomfort to get the shot. So while the observer usually means…

Hurry up and wait

Photographing lightning is about 5 percent pandemonium, and 95 percent arms folded, toe-tapping, just plain standing around. A typical lightning shoot starts with a lot of waiting for the storm to develop and trying to anticipate the best (and safest) vantage point. But with the first bolt often comes the insight that you anticipated wrong and: 1) The lightning is way over there; or 2)…

Our first date: First impressions of my Sony a7R II

Love at first sight My Sony a7R II arrived Wednesday, but my schedule limited my use to staying home and familiarizing myself with menus and overall handling. If you’re familiar with Sony’s e-mount mirrorless bodies, you’ll be able to hit the ground running with the a7R II. The menu system is the same, though of course there are few new features. The buttons and controls have moved a bit…

The camera’s vision: Light

Something I teach, write, and lecture on frequently (ad naseum?) is the photographer’s obligation to understand, not fight, the camera’s vision. Some people get this; others, not so much. So here I go again… Visual “Truth” is relative Without getting too philosophical, it’s important to understand that, like your camera, your view of the universe is both limited and interpreted. In other words, there is no absolute visual truth….

The Secret Weapon for Overcoming Unsung Landscapes

I travel a lot. A lot. Don’t get me wrong—I know I’m incredibly fortunate to see and photograph the things I do, but sometimes it’s nice to be home. Despite the world-class locations I get to visit, I don’t cease being a photographer just because I’m home. I spend a lot of time exploring and photographing the unsung landscapes near home, landscapes that few would cross borders…

Yosemite, weather or not

Photography weather and tourist weather are polar opposites: What’s good for photography—clouds, rain, snow—isn’t usually so great for being outside. This is especially true in Yosemite, where stormy weather can add an entirely new dimension to the park’s already renowned scenery (not to mention inclement weather’s crowd-thinning effect). Sometimes Yosemite’s clouds simply diffuse the light, subduing shadows into a much more camera-friendly range, and extending the quality photography…

Anticipating the exceptional

No one denies that an image records a single, unrepeatable instant. But just as each instant is the culmination of a series of connected preceding events, most images have their own history that can be traced backward, often months or years before the shutter clicked. The moon didn’t just materialize above Half Dome that evening, and a moonbow isn’t just some random event at the base of Lower Yosemite Fall—their appearance can be directly connected to celestial dance that was set…

Photographic vision: Motion

True story I once had a photographer tell me that he didn’t like blurred water images because they’re “not natural.” The conversation continued something like this: Me: “So how would you photograph that waterfall?” Misguided Photographer: “I’d use a fast shutter speed to freeze the water.” Me: “And you think that’s more natural than blurred water?” Misguided Photographer: “Of course.” Me: “And how many times…