Reflection season

It’s reflection season in Yosemite, that time of year when the falls are dry and the Merced River slows to a glassy crawl. Plugging in the golds and reds of autumn makes this my favorite time for creative photography in Yosemite, and explains the volume of Yosemite autumn images in my portfolio. It also explains why I’ve been to Yosemite three times this month. The month’s first visit, with my Eastern Sierra workshop group, we photographed high…

The best time of day

Imagine a world that’s so quiet you can hear nature’s every stirring, a place where each breath holds a pristine bouquet of subtle fragrances, and the sky is a continuously shifting kaleidoscope of indigo, blue, yellow, orange, and red. In case you haven’t figured it out, I’m describing the very world we live in, before the sun’s light and warmth draw out the dirty, noisy, oblivious masses. As a nature photographer,…

Grad School

Since the first photon struck a photographic plate, photographers have struggled to stuff the broad range of light their eyes see, into the relatively narrow range their camera can capture. When we shot film, the time waiting for the film to return from the lab was filled with self-doubt and second guessing, punctuated by ecstasy or despair. Then came digital capture, with its immediate image review, histograms,…

Out of my depth

A couple of weeks ago I wrote about appreciating the small stuff. Writing that article opened my eyes to how much I’d gotten away from aspects of photography that give me great pleasure, and that were a big part of my photographic style. Not completely away, but far enough to notice a difference when reviewing my images from the last year or so, a year that coincides with my switch…

Fallen color

When you’re surrounded by beautiful scenery, it’s easy to overlook the small details that make a scene special. But there’s no substitute for the pleasure that comes from spending a little time in a scene, identifying its intricacies, and creating an image that conveys this connection to others. Capturing these intricacies can be the most rewarding aspect of photography, because they’re almost always uniquely reflective your…

The dark night

How to offend a photographer Gallery browser: “Did you take that picture?” Photographer: “Yes.” Gallery browser: “Wow, you must have a good camera.” Few things irritate a photographer more than the implication that it’s the equipment that makes the image, not the photographer. We work very hard honing our craft, have spent years refining our vision, and endure extreme discomfort to get the shot. So while the observer usually means…

Hurry up and wait

Photographing lightning is about 5 percent pandemonium, and 95 percent arms folded, toe-tapping, just plain standing around. A typical lightning shoot starts with a lot of waiting for the storm to develop and trying to anticipate the best (and safest) vantage point. But with the first bolt often comes the insight that you anticipated wrong and: 1) The lightning is way over there; or 2)…

Our first date: First impressions of my Sony a7R II

Love at first sight My Sony a7R II arrived Wednesday, but my schedule limited my use to staying home and familiarizing myself with menus and overall handling. If you’re familiar with Sony’s e-mount mirrorless bodies, you’ll be able to hit the ground running with the a7R II. The menu system is the same, though of course there are few new features. The buttons and controls have moved a bit…

The camera’s vision: Light

Something I teach, write, and lecture on frequently (ad naseum?) is the photographer’s obligation to understand, not fight, the camera’s vision. Some people get this; others, not so much. So here I go again… Visual “Truth” is relative Without getting too philosophical, it’s important to understand that, like your camera, your view of the universe is both limited and interpreted. In other words, there is no absolute visual truth….

The Secret Weapon for Overcoming Unsung Landscapes

I travel a lot. A lot. Don’t get me wrong—I know I’m incredibly fortunate to see and photograph the things I do, but sometimes it’s nice to be home. Despite the world-class locations I get to visit, I don’t cease being a photographer just because I’m home. I spend a lot of time exploring and photographing the unsung landscapes near home, landscapes that few would cross borders…