I spend a lot of time guiding and teaching photographers who have traveled a great distance to capture a particular shot: Horsetail Fall in February, the spring moonbow on Yosemite Fall, the Milky Way above the Kilauea Caldera, to name a few. They’ve seen an image on my website, or someone else’s, and have decided want to add their version to their portfolio. Many…
Ever notice how the best photography happens at nature’s boundaries, the interface separating disparate elements? Sometimes it’s visual elements, like the collision of surf and shore or the intersection of shadow and light. But often we’re moved by images that capture the transition of our experience of the world, such as the color and light that happens when we shift between night and day, or distinctive elements of two seasons together in one frame. Sunrises and sunsets…
Last week I was in Arizona (Grand Canyon, Page, Sedona); next week it’ll be Oregon (Columbia River Gorge). But this week my focus is little closer to home, as I enjoy the familiar confines of Yosemite Valley. The big news here is the water, or rather, the lack thereof. In a lifetime of visits to Yosemite, I’ve never seen the water lower in spring than it is this…
Last week I joined (contributed to) the elbow-to-elbow fray in Upper Antelope Canyon. Helping Don Smith with his Northern Arizona workshop, I’ve done this every year for nearly ten years (I’ve lost exact count). While I never tire of the cathedral-like power of beaming, bouncing sunlight, I find that, like most beautiful, easily accessed locations, it’s difficult to separate Antelope Canyon’s beauty from its mayhem. Upper Antelope’s…
“As far as the eye can see.” How many times have we heard, and even uttered, those words without really considering their true meaning? Just how far can the eye see? Adults use the expression to convey wide open spaces, and as a kid I remember arguments on the playground about who had seen the farthest, trying to one-up each other with our ocular feats. To me the words “as…
“You’re so lucky to live so close to <fill in the blank>”: Yosemite, Lake Tahoe, Big Sur, San Francisco, Muir Woods (and countless other coastal redwood sites), Point Reyes, the Napa Valley wine country, Mt. Shasta, Mono Lake. I hear it all the time. Okay, I’ll concede that—I’m lucky. But… Their implicit message is, “If only I lived closer to such-and-such, my photography would be so…
Okay, you might guess that as a nature photographer I spend a lot of time chasing rainbows. True, but I swear that in Hawaii it feels like rainbows are chasing me. Hawaii is the only place I’ve ever been where rainbows just appear with no warning, where I can be standing in full sun beneath a handful of puffy clouds, glance toward the horizon, and do a double-take—where’d that come from? Because of Hawaiian rainbow’s seemingly spontaneous inclinations,…
One bad apple Believe it or not, one of the questions I’m asked most frequently is whether I’ve ever had anyone attend a workshop who I would not allow in a future workshop. My answer has always been an immediate and emphatic, No. That changed in a recent workshop, which got me thinking that a successful photo workshop is as much about the people as it is about the location and conditions. And…
“When you want something badly enough, a few mishaps are no deterrent.” Wile E. Coyote Discovery (September 2012) Scouting locations for my Maui workshop, I scrambled cross-country down the rugged flank of West Maui’s north side, trying to make my way to a series of lava-rock, reflective tide pools. Once I’d descended to ocean level, reaching the pools still required hopscotching across wet basalt that was a disconcerting hybrid of banana peel slippery…
March 4, 2015 Just a quick update from Maui, where I’m in the midst of my annual Maui workshop (and because there’s nothing better to do when you wake up at 4 a.m. than post a blog). Before the workshop started I held my breath as I warned my group that on our first morning we’d need to leave at 3:30 to photograph sunrise from the 10,000 foot summit of…