Sometimes our best opportunities arise when circumstances nudge us off our charted course. One day earlier… The morning before capturing this sunrise I’d been one of hundreds of photographers shoulder-to-shoulder on the beach at Mono Lake’s South Tufa. Competing with the thousands of photographers who flock to the Eastern Sierra to photograph the golden aspen each October, my brother and I were the first…
If you’re not prepared to miss a little sleep, get a little wet, or feel a little cold, you probably won’t make it as a Yosemite photographer. Last week Yosemite received daily doses of unusual (for May), but most welcome, rain. But those hardy few who endured the slippery rocks, soggy clothes, and wet gear, were rewarded with a variety visual treats that the comfortable masses…
I just wrapped up two Yosemite spring workshops, four and five day visits separated by less than two weeks. What struck me most about these two workshops was, despite pretty similar conditions (maximum waterfalls, green meadows, blooming dogwood, and lots of people), how the tremendous difference in weather dictated a completely different approach to photographing Yosemite Valley. In the first workshop our weather was fairly static,…
I’d billed my just completed Yosemite spring workshop as a crescent moon workshop. The plan was (among other things) to photograph a crescent moon rising above Yosemite Valley in the pre-sunrise twilight on consecutive mornings. This spring waning crescent is one of my very favorite Yosemite phenomena, something I try not to miss each May (when it aligns best with Half Dome from the…
I’m always telling my workshop students that there are pictures everywhere, that we’re only limited by our ability to see them. How many shots have we just walked by because we were so focused on the larger world, or because we were simply distracted by life? But sometimes I need to be reminded to listen to my own words. Last week in Yosemite I…
People ask all the time for my favorite season in Yosemite, and I really can’t give them an answer that doesn’t sound like a press conference by a waffling politician—there are things I love about each season in Yosemite, so asking me to choose is like asking me to pick a favorite child. But what I can do is tell you what I like…
I returned late last night (well, early this morning) from my 2013 Yosemite Moonbow and Wildflowers photo workshop will lots of great new images and two fewer teeth. True story. The images I can verify; the teeth you’ll need to take my word for. Read on. Chapter One: In the big inning Twenty years ago I lost my two front teeth in a freak…
* * * * Photography’s gift isn’t its ability to show the world we already know, photography’s gift is its ability to reveal a world we haven’t imagined. I found this poppy on a visit to Point Reyes about nine years ago, just one of thousands sprinkled among a collage of swaying wildflowers. Before this day I’d aborted any attempt to…
Coordinating all of the rapidly changing exposure and composition variables sometimes feels like juggling cats (thankfully without the bloodshed). The difficulty is compounded by the unfortunate need to simultaneously process input from two sides of the brain (creative and logical) that don’t often play well together. For me an image usually starts with a feeling or connection, not just the scene’s now, but also for its what-might-be….
How to photograph Antelope Canyon Not long ago I wandered into a Peter Lik gallery and did a double-take at a floor-to-ceiling print of “my” Upper Antelope Canyon image. You’ve probably seen a million versions of the shot: I have no idea whether mine came before or after Lik’s, but it’s safe to say that there were many before both of us, and many since…