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Lots of variables go into creating a successful landscape image. Many people struggle with the scene variables—light, depth, and motion—that are managed by your camera’s exposure settings: shutter speed, f-stop, ISO. Others struggle more with the composition variables: identifying, isolating, and framing a subject. (I’m not denying that there’s overlap between the exposure and composition sides of image creation, but leveraging that overlap requires independent mastery of both sides.)…
I’m a big fan of the polarizer, so much so that each of my lenses wears a polarizer that never comes off in daylight. A couple of years ago “Outdoor Photographer” magazine published my article on using a polarizer, a slightly modified version of a blog post that appears in the Photo Tips section of this blog. If you read that article, or pay much attention to what…
December 3, 2014: A brief post to share my workshop group’s good fortune this morning I’m in Yosemite this week for my Winter Moon photo workshop. Scheduling a December workshop in Yosemite is one of those high risk/reward propositions—I know full well we could get some serious weather that could make things quite uncomfortable for photography, but winter (okay, so technically it won’t be winter for another two-a-half…
One of the great joys of the digital photography is the ease with which our cameras reveal the world after dark. Scenes that are merely shadow and shape to the human eye are recorded with unseen color and detail by a digital sensor, and stars too faint to compete with moonlight shine brightly. After a lifetime of refusing to sap my enjoyment of the night sky by attempting to photograph it…
Just when you start getting cocky, nature has a way of putting you back in your place. Case in point: last week’s full moon, which my workshop group photographed to great satisfaction from the side of Turtleback Dome, near the road just above the Wawona Tunnel. I love photographing the moon, in all of its phases for sure, but especially in its full and crescent…
Conducting photo workshops gives me unique insight into what inhibits aspiring nature photographers, and what propels them. The vast majority of photographers I instruct, from beginners to professionals, approach their craft with either a strong analytical or strong intuitive bias—one side or the other is strong, but rarely both. And rather than simply getting out of the way, the underdeveloped (notice I didn’t say…
I can’t believe this image is over ten years old. It represents a significant milestone for me, because I captured it about the time I made the decision to turn a 25+ year serious hobby into my profession. With that decision came the realization that simply taking pretty pictures, or being a very good photographer, wouldn’t be enough—there are plenty of those out there. I made…
Photograph: “Photo” comes from phos, the Greek word for light; “graph” is from graphos, the Greek word for write. And that’s pretty much what we photographers do: Write with light. Because we have no control over the sun, nature photographers spend a lot of time hoping for “good” light and cursing “bad” light. There’s no universal definition of good and bad light; it’s usually more…
Read the first in the series here: Four sunsets, part one: A Horsetail of a different color Read the second in the series here: Four sunsets, part two: Classic Horsetail Read the third in the series here: Four sunsets, part three: A marvelous night for a moondance What I love most about photography is its ability to surprise me. Case in point: the final sunset of…
Read the first in the series here: Four sunsets, part one: A Horsetail of a different color While we’d been incredibly fortunate with our Monday night Horsetail Fall shoot, we didn’t get the molten glow everyone covets (though I’d argue, and several agreed, we got something better). Nevertheless, based on the relatively clear skies, I decided to take everyone back for one more try on…
Eloquent Images by Gary Hart 