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I’ve never been much of a New Year’s resolution person, but the start of a new year is an opportunity to take stock and regroup. This year I’ve been thinking about the proliferation of derivative images online and in magazines, images that are, no matter how beautiful, simply reproductions of thousands of previous image. Photographers see something they like and go out try to get it themselves. I understand the…
For the final shoot of my final 2014 workshop, I guided my group up the rain-slick granite behind Yosemite’s Tunnel View for a slightly different perspective than they’d seen earlier in the workshop. I warned everyone that slippery rock and the steepness of the slope could make the footing treacherous (and offered a safer alternative), but promised the view would be worth it. Then I crossed my fingers. While…
Let’s review I often speak and write about “The 3 P’s of nature photography,” sacrifices a nature photographer must make to consistently create successful images. Preparation is your foundation, the research you do that gets you in the right place at the right time, and the vision and mastery of your camera that allows you to wring the most from the moment. Persistence is patience with a dash of stubbornness….
December 3, 2014: A brief post to share my workshop group’s good fortune this morning I’m in Yosemite this week for my Winter Moon photo workshop. Scheduling a December workshop in Yosemite is one of those high risk/reward propositions—I know full well we could get some serious weather that could make things quite uncomfortable for photography, but winter (okay, so technically it won’t be winter for another two-a-half…
Just when you start getting cocky, nature has a way of putting you back in your place. Case in point: last week’s full moon, which my workshop group photographed to great satisfaction from the side of Turtleback Dome, near the road just above the Wawona Tunnel. I love photographing the moon, in all of its phases for sure, but especially in its full and crescent…
May 12, 2014 I’ve been in Yosemite for my annual Moonbow and Dogwood photo workshop. Monday night I took the group to Glacier Point for sunset—an unexpected benefit of California’s drought that allowed Glacier Point Road to open weeks earlier than normal. I knew a nearly full moon would be rising above the Sierra crest that evening, but figured that since it would be so far south, we wouldn’t be…
Photograph: “Photo” comes from phos, the Greek word for light; “graph” is from graphos, the Greek word for write. And that’s pretty much what we photographers do: Write with light. Because we have no control over the sun, nature photographers spend a lot of time hoping for “good” light and cursing “bad” light. There’s no universal definition of good and bad light; it’s usually more…
Read the first in the series here: Four sunsets, part one: A Horsetail of a different color Read the second in the series here: Four sunsets, part two: Classic Horsetail Read the third in the series here: Four sunsets, part three: A marvelous night for a moondance What I love most about photography is its ability to surprise me. Case in point: the final sunset of…
How many Yosemite moonrise images are too many? I have no idea, but I’ll let you know as soon as I find out. Read the first in the series here: Four sunsets, part one: A Horsetail of a different color Read the second in the series here: Four sunsets, part two: Classic Horsetail 5:10 p.m. I stand on the bank of the Merced River,…
Last Friday evening, this professional photographer I know spent several hours photographing an assortment of beautiful Yosemite winter scenes at ISO 800. Apparently, he had increased his ISO earlier in the day while photographing a macro scene with three extension tubes—needing a faster shutter speed to freeze his subject in a light breeze, he’d bumped his ISO to 800. Wise decision. But, rushing to…
Eloquent Images by Gary Hart 