Can you defend your exposure settings?

While I’m a huge advocate of manual metering (it’s all I’ve ever used), I stop short of saying everyone shoot shoot in manual mode. But I do believe that anyone who is serious about their photography should at least be comfortable shooting in manual mode. That means understanding how a light meter “sees” a scene, the information the meter returns, and how each of the camera’s three…

The Power of Reflections

Reflection Dictionary.com: The return of light, heat, sound, etc., after striking a surface. Okay, so that’s pretty basic. How about this one? Wikipedia: The change in direction of a wavefront at an interface between two different media so that the wavefront returns into the medium from which it originated Whoa, I hope that’s not on the test. Who doesn’t love the soothing tranquility of a good reflection? And like a metaphor in writing, a reflection is an indirect representation that can be…

Some advice for President Obama

President Obama and family visit Yosemite this weekend, and rather than wait by my phone for him to call with questions, I thought I’d just share my suggestions here Dear Mr. President, I just heard that you’re coming to Yosemite this weekend. Bravo! I’m sure by the time you leave you’ll agree that Yosemite is worthy of its reputation as the most beautiful place on Earth….

Eye on the sky

I spend much of my photography time chasing the moon. Most of my trips factor in the moon’s phase and location—usually to catch a full or crescent moon rising or setting above a particular landmark, and often to photograph a landscape by moonlight (full moon) or starlight (no moon). But sometimes the moon catches me less than fully prepared, and I need to improvise….

Stop the madness

For some background, read about photographing Horsetail Fall Anyone who doesn’t understand what all the Horsetail hubbub’s about hasn’t seen it. When all the conditions align—ample water (rain and/or snowmelt), sun position,  and unobstructed sunset light—there’s nothing in the world that compares. And while these convergences are rare, that doesn’t seem to deter the gawkers who show up to witness it. Conventional wisdom says that…

A Horsetail of a different color

I just returned from my 2016 Yosemite Horsetail Fall photo workshop. I’ve the photographed the midday light shafts at Upper Antelope Canyon, Schwabacher Landing at sunrise, Mesa Arch at sunrise, winter sunset at Pfeiffer Arch, and Horsetail fall each February for over ten years. But nothing compares to the mayhem I witnessed this weekend at Horsetail Fall. Not even close. I’ll be writing more about…

Let’s get vertical

Who had the bright idea to label horizontal images “landscape,” and vertical images “portrait”? To that person let me just say, “Huh?” As a landscape-only photographer, about half of my images use “portrait” orientation. I wonder if this arbitrary naming bias subconsciously encourages photographers to default to a horizontal orientation for their landscape images, even when a vertical orientation might be best. Every image contains implicit visual motion that’s independent of the…

Yosemite and me

My relationship with Yosemite doesn’t have a beginning or end. Rather, it’s a collection of asynchronous memories that are still forming. In fact, some of my Yosemite experience actually predates my memory. The earliest memories, like following bobbing flashlights to Camp Curry to watch the Firefall spring from Glacier Point, or warm evenings in lawn chairs at the garbage dump, waiting for the bears to come…

Doing the math

A few days ago Sony asked me to write a couple of small pieces on “my favorite landscape lenses.” Hmmm. My answer? My favorite lens is the lens that allows me to do what I need to do at that moment. In fact, to avoid biasing my creativity, I consciously avoid approaching a scene with a preconceived notion of the lens to use. What…

Think before you shoot

True story: I once had a woman in a workshop who put her camera in Continuous mode and every time she clicked her shutter, she held it down and waved her camera in the general direction of a scene until the buffer was full. When I asked what she was doing, she said, “There’s bound to be a good one in there somewhere.” We were in…