I’m a relationship photographer. By that I mean I’ve never been one of those photographers who expands his portfolio by adding new locations. Rather, I like to get a feel for a place, not just the where and when of its photo opportunities, but its history, geology, flora, and fauna. I much prefer digging deeply into one scenic area to visiting a large variety of scenic areas. This is a personal style thing, and I know my more deliberate approach would drive many photographers crazy, but I’ve learned that I’m rarely very productive on my first visit anywhere, and often not until I’m several visits in.
I’m probably several hundred (thousand?) visits into my Yosemite relationship, with no end in sight. But despite this extensive history, any moonrise above Yosemite Valley, regardless of the phase, still takes my breath away. Orbital geometry aligns Yosemite’s moon with different features as the seasons change, and I try to be there for as many moonrises as possible. Whether it’s the late fall and winter full moon hovering above Yosemite Valley, the summer crescent moon appearing from behind Half Dome, or the spring full moon rising above Bridalveil Fall, I just can’t get enough of it.
As with most of my Yosemite workshops, a planned highlight for this year’s April Yosemite Moonbow and Wildflowers workshop was a moonrise, this time the Bridalveil Fall full moon. Throughout the workshop we’d enjoyed a Yosemite Valley bursting with more water than I’d seen in several years, a dogwood bloom that was just about at peak, and a sky enhanced by an assortment of beautiful clouds.
When the moonrise day came and the clouds stayed, there were a few concerns for our moonrise. But knowing Yosemite well enough to understand that you can’t predict the conditions five minutes from now based on the conditions right now, I made sure we were in position with cameras ready (and fingers crossed).
Moon or not, the view up the Merced River Canyon that evening was beautiful, but when the moonrise time arrived and the moon didn’t, I scanned the clouds for hints of the moon’s glow. Though there was no sign of it, a little higher, and directly in the moon’s path, the clouds appeared thinner; higher still, actual stripes of blue sky gave me hope.
By the time the moon emerged, nearly ten minutes after sunset, the entire sky had taken on a rich magenta hue. The Merced River Canyon below had become quite dark, but my Singh-Ray two-stop hard-transition graduated neutral density filter held back the (daylight-bright) moon enough for me to give the canyon the light it needed. The final step for this image came in Lightroom and Photoshop, which enabled me to add a little more light to both the canyon and the clouds (which had been darkened along with the moon by the GND), and pull back the highlights in the moon.
One more thing
People ask me if I ever tire of Yosemite, and I can honestly answer, no. Part of keeping it fresh is the infectious excitement when the people I’m with witness something like this moonrise. (I don’t think this makes me unusual—most people get vicarious pleasure from the joy of others’ first experience of something that’s special to us.) This night the moonless pink sky was enough to thrill everyone, but when the moon poozed out, it became one of those once-in-a-lifetime moments for everyone in the group. That just never gets old.
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A wonderful series of photos!
Absolutely gorgeous photography. It’s great to see you have such a personal attachment to the place. I live in England, so it’s far cry from this beautiful landscape, but I’d love to visit one day!
Thank you, Scout.
A beautiful relationship… congratulations!
Awesome photo Gary!
The dynamic range is incredible!
ps-for night/stars etc do you prefer Rokinon 14/2.8
Thanks, Marty. I haven’t used the 14, but for Milky Way photography I want as much light as possible.
Gorgeous images, and a wonderful concept “relationship photography” (I can absolutely identify with it).