That Didn’t Suck

One evening in New Zealand I get to a lot of locations and see so many spectacular sights that they sometimes run together. But every once in a while I experience a shoot I know I’ll never forget. One of (many) highlights of the New Zealand workshop is the hike to Tasman Lake in Aoraki / Mt. Cook National Park. The reward for this…

Extracting the Essence

Read about the travails leading up to this shoot in my previous post. But enough about that…. I’m afraid that when faced with a beautiful scene, photographers (myself included) sometimes settle for the obvious shot and leave more subtle opportunities on the table. But the most creative photography (though not necessarily the most popular) comes from looking beyond the obvious to find the scene’s…

I Just Love Happy Endings

By the time I made it to North Lake for sunrise, I’d already had a trying morning. After some frustrations with the cars, my Eastern Sierra workshop group had gotten on the road about five minutes later than I’d planned. Fortunately I always schedule a little wiggle room, so we were on track, but still…. Then, just a couple of miles before the turn-off…

Getting centered

What do you think would happen if I submitted this image a camera club photo competition? The sunstar and golden glow might elicit a few oohs and ahhs at first, but I’m pretty sure it wouldn’t be long before the resident Rule enforcer dismisses it because the horizon and sunstar are centered. And while “never center your subject” is great advice for a beginner who…

Improve Your Fall Color Photography

As we enter the fall color photography season, I’m revisiting and revising previous articles. This is the second in the series. Improve Your Fall Color Photography Vivid color and crisp reflections make autumn my favorite season for creative photography. While most landscape scenes require showing up at the right time and hoping for the sun and clouds to cooperate, photographing fall color is often a simple…

New Zealand Night

One of the questions I get the most about the New Zealand workshop Don Smith and I do is, “Why winter?” The simple answer is that it’s the best time to photograph there. This answer is usually followed with, “But isn’t it cold?” Not really—it’s more like a Northern California or Oregon winter, with highs in the 40s and 50s, and lows in the…

Some Advice for Nikon Shooters (from a Sony Shooter)

Yesterday Nikon finally jumped into the mirrorless game with its Z6 and Z7 announcement, a welcome development that can only keep pushing everyone’s mirrorless technology forward. I made the switch to mirrorless about four years ago and haven’t looked back. At the beginning mirrorless was touted for its compactness, and while mirrorless bodies (and to a lesser extent, lenses) are more compact, it turns…

That’s so fake…

We’ve all heard it: “That’s so fake,” or “You Photoshopped that,” or some other derisive barb implying that an image is trying to be something it isn’t. But before you say that about this image, let me say that I processed it five times, each time dialing down the saturation, attempting to create something that would appear credible to the dubious masses. And with…

Oh, What a Night…

(Jump to the bottom for a “how-to” and my starlight photography exposure recipe) Five photographers followed bouncing headlamps through the chilly dark. Even in midday the trail through the dense rainforest surrounding Lake Matheson has a twilight feel; on a moonless winter night like this, the path becomes downright cave-like. Soon our footsteps were in sync, each tap broken by a beat of eerie silence….

Escaping Summer

(If you subscribe to my Image of the Month e-mail and this post seems familiar, it’s because I borrowed the text from my June message.) I just checked the date of my last post, I couldn’t believe how long it’s been. But I have a good excuse, I swear: I’ve been busy. Busy taking pictures, busy leading workshops, busy checking in and out of…