Alone in Yosemite

Last winter I spent a glorious day by myself in Yosemite Valley, photographing the vestiges of an overnight snowstorm. Inbound to the park the evening before, a continuous strand of outbound headlights reminded me how different a photographer’s priorities are from the general public’s. For a nature photographer, the best time to be outside seems to be everyone else’s worst time to be outside,…

Just a Pinch of Moon

A couple of  weeks ago I wrote about how to photograph the moon big, the bigger the better, to overcome its tendency to (appear to) shrink in a wide angle image. But the moon doesn’t need to be big to be a striking addition to a landscape photo. To balance a landscape frame, I think in terms of “visual gravity” (or “visual weight”): how much…

2018 Highlights

I’ve always struggled with the “top-whatever” end-of-year countdown of my favorite images because the choices are so subjective and mood dependent, and so many images are favorites as much for their memories as they are for their aesthetic value. And coming up with a predetermined number is arbitrary, and inevitably requires choices I don’t want to make and will almost certainly regret later. One…

Fresh Takes

I love the iconic captures as much as the next person—scenes like Yosemite’s Horsetail Fall in February, Upper Antelope Canyon’s famous light shaft, or McWay Fall’s tumble into the Pacific, are both gorgeous and a thrill to photograph. But standing elbow-to-elbow with hundreds (or thousands!) of photographers, each recording virtually identical images that are already duplicates of thousands of prior images, while nice, doesn’t necessarily stimulate my…

It’s the People

The ability to earn my living visiting the most beautiful places in the world is plenty of reason for gratitude, but that’s not what I’m thinking about today. Today I’m thinking about all of the people my workshops have connected me with, and all the laughter and learning they have added to my life. I’d be lying if I said I wasn’t looking forward…

That Didn’t Suck

One evening in New Zealand I get to a lot of locations and see so many spectacular sights that they sometimes run together. But every once in a while I experience a shoot I know I’ll never forget. One of (many) highlights of the New Zealand workshop is the hike to Tasman Lake in Aoraki / Mt. Cook National Park. The reward for this…

Extracting the Essence

Read about the travails leading up to this shoot in my previous post. But enough about that…. I’m afraid that when faced with a beautiful scene, photographers (myself included) sometimes settle for the obvious shot and leave more subtle opportunities on the table. But the most creative photography (though not necessarily the most popular) comes from looking beyond the obvious to find the scene’s…

I Just Love Happy Endings

By the time I made it to North Lake for sunrise, I’d already had a trying morning. After some frustrations with the cars, my Eastern Sierra workshop group had gotten on the road about five minutes later than I’d planned. Fortunately I always schedule a little wiggle room, so we were on track, but still…. Then, just a couple of miles before the turn-off…

Getting centered

What do you think would happen if I submitted this image a camera club photo competition? The sunstar and golden glow might elicit a few oohs and ahhs at first, but I’m pretty sure it wouldn’t be long before the resident Rule enforcer dismisses it because the horizon and sunstar are centered. And while “never center your subject” is great advice for a beginner who…

Improve Your Fall Color Photography

As we enter the fall color photography season, I’m revisiting and revising previous articles. This is the second in the series. Improve Your Fall Color Photography Vivid color and crisp reflections make autumn my favorite season for creative photography. While most landscape scenes require showing up at the right time and hoping for the sun and clouds to cooperate, photographing fall color is often a simple…