Workshop prep: It’s more than just showing up

A couple of years ago a friend joined a New Zealand photo workshop and found that his leaders had never been to New Zealand. In lieu of scouting, these leaders had done a lot of googling, studied some maps, and read a few guides. During the workshop, they were still trying to put things together without firsthand knowledge of drive-times, the length (or difficulty)…

Meeting a celebrity

For those who don’t recognize it, this is the much-photographed willow tree that inhabits Lake Wanaka on New Zealand’s South Island. I’ve seen it described “the most photographed tree in the world,” and while I doubt that’s true, it is at least among the world’s more photographed trees. Seeing a popular subject like this for the first time is a lot like meeting a…

Greetings from Tomorrowland

One of my favorite childhood books was “Upside-Down Town,” about a little town where everything was opposite the rest of the world. People walked backward so they could see where they’d been, stores paid people to take their goods, and (my personal favorite at the time) schools were only in session on holidays. That’s kind of the way it feels visiting New Zealand in…

Yosemite game-changer

“Game changer” is most certainly a cliché, but every once in a while I get to use the term without shame. I used it when I switched from film to digital; again when I discovered that the Sony a7R (and now the a7RII) gave me 2- to 3-stops more dynamic range than my Canon 5DIII; one more time when I first turned the Sony…

Happy Father’s Day, Dad

This summer it will be 13 years since I lost my dad to Alzheimer’s disease. He would have turned 87 next month, and I have no doubt that his body would still be going strong if the Alzheimer’s hadn’t taken over. Sadly, it’s difficult to fully appreciate a parent’s influence until they’re gone. We’re certainly aware of the love, wisdom, advice, discipline, tears, and…

Seeing the future

Ansel Adams and visualization Most photographers know that Ansel Adams visualized his prints, and the darkroom work necessary to create them, before clicking the shutter. This ability to look into the future of each capture is part of what set Ansel Adams apart from his peers. But Adams’ extensive darkroom work is often cited by digital photographers defending their over-processesed images. We’ve all heard…

A star in the east

When Sony asked Don Smith and me to try out their new lenses, I immediately knew where I wanted to be in Yosemite with the 12-24 f4 G lens. After great success photographing El Capitan and Half Dome as I’ve never been able to before (okay, well there was that one time last year when I borrowed a friend’s ultra-wide lens), I was ready…

The cat’s out of the bag…

For about three weeks I’ve had to bite my tongue about two new Sony lenses I got to try out a few weeks ago. But yesterday Sony announced their brand new 16-35 f2.8 GM and 12-24 f4 G lenses and I’m free to share. I spent most of this week just outside of Santa Barbara, California with a hundred or so Sony Artisan and Creative Collective photographers at Sony’s…

Spring has sprung

I spent most of the last week in Yosemite and can confirm that spring has definitely sprung there. The Merced River, swollen by snowmelt, is overspilling its banks, flooding meadows and submerging riverside trails. Reflections are everywhere, and viewing the waterfalls without getting wet? Forget about it. Another spring highlight is the moonbow that colors the mist beneath Yosemite Falls. A fortunate convergence of Yosemite…

Moving the eye

With virtually every still camera now equipped with video capability, the last few years have seen an explosion of nature videos. When done well, videos of nature can be quite effective, conveying motion and engaging both eyes and ears to reveal the world in a manner that’s closer to the human experience than a still image is. But like other sensory media whose demise has been anticipated by the arrival of…