In Defense of the Tripod

This is another 6-year-old “brand new” image, just excavated from the depths of my 2014 folder Photography without compromise If you think the main reason to use a tripod is to avoid camera-shake, you’re mistaken. In this day of phenomenal high ISO performance and stabilized bodies and lenses, acceptable hand-held sharpness is possible in the vast majority of images. But here’s a reality that’s tough to…

All Wet

Last Monday seemed like the perfect day for a poppy shoot in the foothills. I had the afternoon wide open—with the California media buzzing about this year’s “superbloom,” plus a forecast promising ideal conditions (calm wind and thin clouds), I couldn’t help dreaming about my own images of poppy-saturated fields. What could possibly go wrong? Getting on the road proved a little more problematic than…

Anchor Management

Virtually every scene I approach with a camera is beautiful, but a beautiful scene is rarely enough for a great image. Human experience of the world differs greatly from what the camera captures—the photographer’s job is to understand and use those differences. I’ve always felt that viewers of an image are more comfortable exploring the frame—and therefore tend to linger longer with the image—when…

Your camera is not an Etch A Sketch

(In defense of the tripod) Who remembers the Etch A Sketch? For those who didn’t have a childhood, an Etch A Sketch is a mechanical drawing device that’s erased by turning it upside-down and shaking vigorously.  When I come across a scene I deem photo-worthy, my first click is a rough draft, a starting point upon which to build the final image. After each click…