Addition by subtraction

In my previous blog post I mentioned that I lost a couple of my Hawaii locations to Hurricane Iselle. Not only was the loss no big deal, it proved a catalyst that jarred me from my rut and into more exploring. This location was at first glance an exposed, twenty foot cliff above the Pacific with a great view up the Puna Coast, past palm trees and surf-battered, recently…

One eye on the ocean, the other on the volcano

September 16, 2014 It’s easy to envy residents of Hawaii’s Big Island—they enjoy some of the cleanest air and darkest skies on Earth, their soothing ocean breezes ensure that the always warm daytime highs remain quite comfortable, and the bathtub-warm Pacific keeps overnight lows from straying far from the 70-degree mark. Scenery here  is a postcard-perfect mix of symmetrical volcanoes, lush rain forests, swaying palms, and lapping surf. I mean, with all this…

Ticket to paradise

Tomorrow I head off to the Big Island for my annual workshop there. Not a bad gig. One of the great things about Hawaii is the fact that there is no such thing as a private beach—all beaches are open to everyone. Of course that doesn’t give tourists carte blanche to do as they please, and some locals can be pretty territorial about “their” beaches. But I’ve…

Nuts and bolts at the Grand Canyon

The bolts started around 1:15; the nuts showed up about ten minutes later. There were 14 of us. We were stationed on the outside viewing deck of the Grand Canyon Lodge on the North Rim, tripods, cameras, and lightning triggers poised and ready for action. The “action” we were ready for was lightning, and more specifically, the opportunity to photograph it. The storm had started fairly benignly, poking…

The right stuff at the Grand Canyon

I’ve been to the mountaintop  Personal growth should be a lifelong journey. But as a longtime tripod evangelist, I considered many truths carved in stone. Granted, like everyone else, my tripod use (and selection) evolved through my formative photography years. On my path to (perceived) enlightenment, I made the same mistakes most photographers make, mistakes like settling for the tripod I could afford rather than tripod I needed, which…

Roll over Ansel

A few days ago I was thumbing through an old issue of “Outdoor Photographer” magazine and came across an article on Lightroom processing. It started with the words: “Being able to affect one part of the image compared to another, such as balancing the brightness of a photograph so the scene looks more like the way we saw it rather than being restricted by…

The right stuff with the left brain

Left versus right Writing about “The yin and yang of nature photography” a couple of weeks ago, I suggested that most photographers are limited by a tendency to strongly favor the intuitive or logical side of their brain (the so-called right-brain/left-brain bias). Today I want to address those intuitive (right brain) thinkers who feel it’s sufficient to simply trust their compositional instincts and let their camera do the thinking. It was a dark and…

Release the brocken!

So how cool is this? The shadow is me. It’s called a brocken (named for a mountain in Germany), and the rainbow is a solar glory. This extremely rare phenomenon requires the perfect alignment of sunlight, moisture, and observer, and I just happened to find myself at the fortunate convergence of these conditions. Yesterday evening Don Smith and I photographed the vestiges of a summer storm at Lipan Point…

America’s worst idea

Today’s homework assignment is “A Cathedral Under Siege,” from the August 9 edition of the “New York Times.” I really don’t have a lot to add to the thoughts expressed in the article, except that if our National Park system is “America’s best idea,” then what is planned for the Grand Canyon may just be America’s worst idea. I only hope that common sense will prevail…

The yin and yang of nature photography

Conducting photo workshops gives me unique insight into what inhibits aspiring nature photographers, and what propels them. The vast majority of photographers I instruct, from beginners to professionals, approach their craft with either a strong analytical or strong intuitive bias—one side or the other is strong, but rarely both. And rather than simply getting out of the way, the underdeveloped (notice I didn’t say…