You Can’t Always Get What You Want…

(Offered with apologies to the Rolling Stones) I looked that night at the reflection My focus app in my hand I pondered my focus selection About six feet from where I stand You can’t always get what you want You can’t always get what you want You can’t always get what you want But if you try sometimes, you just might find You get…

The Milky Way Saves the Day

I’m a one-click photographer, so all of my Milky Way images are a single frame. I stress a lot before and during a photo workshop. A lot more than people know, and a lot more than I probably should. Some of that stress probably helps me ensure things go smoothly, but some things are just plain irrational because people know I don’t have any…

Endless Possibilities

This picture from last February features two beautiful photographic phenomena, one with (literally) thousands of cameras trained on it, the other virtually ignored. You might be surprised to learn that for most, the “main event” about to take place in this scene wasn’t the moonrise, it was the light on the thin stripe of waterfall trickling down the diagonal shoulder of El Capitan (the top…

It’s All About Relationships

Think about how much our lives revolve around relationships: romance, family, friends, work, pets, and so on. They’re such a big part of human existence that it’s no wonder most of the significant compositional choices photographers make involve relationships between elements in our scenes, either to one another or to their environment. A pretty sunset is nice, but a pretty sunset over the Grand Canyon especially nice….

Yosemite for the First Time—Again

On Wednesday I made a quick trip to Yosemite to meet my (old and new) friends and fellow photography pros Don Smith and Ron Modra, plus Ron’s wife MB. Since I’d never met Ron and MB in person (though from conversations with Don I felt like I already knew them), and Ron had never been to Yosemite, I broke my personal rule to stay clear…

Get Out of the Way

(And Let the Scene Speak for Itself) As aggressively as I seek creative ways to express nature with my camera, and as important as I think that is, sometimes a scene is so beautiful that it’s best to just get out of the way and let the scene speak for itself. I had one of those experiences last month at Tunnel View in Yosemite….

Thinking Inside the Box

Roll over, Ansel Several years ago, while thumbing through an old issue of “Outdoor Photographer” magazine, I came across an article on Lightroom processing. It started with the words: “Being able to affect one part of the image compared to another, such as balancing the brightness of a photograph so the scene looks more like the way we saw it rather than being restricted…

Winter Moonrise

With a wide variety of spectacular and diverse east-facing views, I can think of no better place to photograph a moonrise than Yosemite. I especially like the December full moon because it aligns so well with Half Dome, not just on the night it’s full, but on the nights leading up to the full moon. When I realized that this year’s December full moon was…

Shoot the Moon

Nothing draws the eye quite like a large moon, bright and bold, with a striking foreground. But something happens when you try to photograph the moon—somehow a moon that looks to the eye like you could reach out and pluck it from the sky, shrinks to a small white speck in a photo. While a delicate accent of moon is great when properly framed…

Fresh Takes

I love the iconic captures as much as the next person—scenes like Yosemite’s Horsetail Fall in February, Upper Antelope Canyon’s famous light shaft, or McWay Fall’s tumble into the Pacific, are both gorgeous and a thrill to photograph. But standing elbow-to-elbow with hundreds (or thousands!) of photographers, each recording virtually identical images that are already duplicates of thousands of prior images, while nice, doesn’t necessarily stimulate my…