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How many Yosemite moonrise images are too many? I have no idea, but I’ll let you know as soon as I find out. Read the first in the series here: Four sunsets, part one: A Horsetail of a different color Read the second in the series here: Four sunsets, part two: Classic Horsetail 5:10 p.m. I stand on the bank of the Merced River,…
Maria von Trapp had them, you have them, I have them. They’re the favorite places, moments, and subjects that provide comfort or coax a smile no matter what life has dealt. Not only do these “favorite things” improve our mood, they’re the muse that drives our best photography. Mine include the translucent glow of a California poppy, a black sky sprinkled with stars, a breathtaking sunrise…
Clueless. That’s one word that would describe my state the first time I attempted moonlight photography. It was about eight years ago, right here in the Alabama Hills. Though exposure and focus were more guesses than decisions, I ended up with a lucky shot of the Big Dipper suspended above moonlit granite boulders and an obsession was born. The other thing I remember about…
A good landscape image usually involves, well…, a good landscape. But that’s only half the equation—photographers also need photogenic conditions—soft light, interesting skies, dramatic weather, or anything else that elevates the scene to something special. While we have absolute control over the time and location of our photo outings, the conditions have a significant random (luck) component. Despite being less than a day’s drive…
I scheduled my Yosemite Comet ISON photo workshop way back when astronomers were crossing their fingers and whispering “Comet of the Century.” Sadly, the media took those whispers and amplified them a thousand times—when ISON did its Icarus act on Thanksgiving day, its story became the next in a long line of comet failures (raise your hand if you remember Kohoutek). But anyone who…
Last Friday evening, this professional photographer I know spent several hours photographing an assortment of beautiful Yosemite winter scenes at ISO 800. Apparently, he had increased his ISO earlier in the day while photographing a macro scene with three extension tubes—needing a faster shutter speed to freeze his subject in a light breeze, he’d bumped his ISO to 800. Wise decision. But, rushing to…
Wow, it seems like only yesterday that the moon was just tiny dot hovering above Half Dome. What happened? No, the moon didn’t magically expand, nor did I enlarge it digitally and plop it into this image. What happened is that I waited two days and moved back; what happened is the difference between 40mm and 400mm; what happened is a perfect illustration of the…
The highlight of my just completed Yosemite Autumn Moon photo workshop was a full moon rising above Half Dome at sunset. But rather than settle for just one Half Dome sunset moonrise, I’d “arranged for” three. Clouds shut us out on sunset-moonrise number two, but sunset-moonrise number one was a huge success. (And sunset-moonrise number three, from Tunnel View, was so special that I’ll dedicate…
October 2013 It’s dark. It’s cold. It’s early—so early that some would still consider it late. But you drag yourself out of bed anyway, for the promise of something most people never experience. And experience is the operative word here, because it’s much more than just the view. Or the photography. It’s the opportunity to witness the transition from night to day, to bask…
If you’ve ever taken off in a violent storm, watched the exploding sky just beyond your window, felt the plane buck until you verged on panic, then suddenly broken through the clouds into utter peace, you might appreciate the dichotomy depicted in this scene. * * * * Overwhelmed by the euphoria the Grand Canyon workshop’s final sunrise was this moonlight experience on…
Eloquent Images by Gary Hart 