A regrettable reality of my life is that the best conditions for photography are usually the absolute worst conditions to be outside. Fortunately, I’ve been hardened by decades of San Francisco Giants games at Candlestick Park, the coldest place on Earth. As a photographer, I continue to embrace my mantra for warmth at the ‘Stick: Too much is always better than not enough.
For me it’s all about layers: silk, wool, down, and Gore-Tex. I start winter mornings with wool socks, waterproof boots, silk long-johns (if it’s extremely cold), flannel lined jeans, wool long-sleeve undershirt, wool Pendleton or lined cotton shirt, vest, down jacket, gloves (I have a variety from thin to thick), neck gaiter, and a hat or band that covers my ears. I add and remove layers as conditions dictate, and don’t always wear everything, but I’m never too far from this stuff in winter. And if it’s raining or snowing, I add waterproof pants, a waterproof parka, waterproof boots, and a wide-brim waterproof hat to keep myself dry, freeing my umbrella to keep my gear dry while shooting.
The basic clothes I pack in my suitcase before each trip, but the gloves/hats/umbrella etc. are in a gym bag that is always in my car. In the car I also keep an extra pair of shoes and socks, towel, and garbage bag (to cover my camera when it’s on the tripod). With all this paraphernalia, I’m nice and toasty in whatever extremes the winter throws at me, and I can never use weather as an excuse for missing a shot.
About this image
On a very chilly morning in late October, my workshop group had wrapped up the sunrise shoot and was heading to breakfast when we passed Leidig Meadow beneath a thin veneer of fog. Knowing that the group was cold and hungry, I kept going, but in the cafeteria parking I polled everyone and found that while about half were ready for warmth and a hot breakfast, the other half wanted to return to photograph the meadow. They got no argument from me. In normal conditions this wouldn’t have been possible because Yosemite’s primarily one-way traffic flow would have required a 20-minute loop to return to this spot, and the fog would likely have been long gone. But this year, extensive roadwork had caused the National Park Service to make every open road two-way, and we were back at Leidig Meadow in two minutes.
Yosemite’s radiation fog can come and go in seconds (I crossed my fingers that it hadn’t dissipated in the five minutes since our original drive-by), so as soon as we parked the group grabbed their gear and scattered. Wanting a foreground that was more than just meadow grass, I ran for this downed tree that I’d seen on an earlier visit.
We only got about five minutes of quality shooting in before the fog was gone. All of my shots were some variation on this composition using the log anchoring the bottom of scene, and Half Dome framed by the nearby trees on the left and distant yellow cottonwoods on the right. To maximize my focal length and make Half Dome larger, I moved back as far as I could without losing my framing. The horizontal trunk was far enough away that I was able to achieve depth of field all the way to infinity when I focused there.
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