Between a lot of travel last week and preparing for a workshop that starts this week, I somehow managed to process an image yesterday. And today I’m going to attempt to squeeze out a quick blog post around a gathering that’s a 5-hour roundtrip away. Let’s see what happens…
This image makes me think about other memorable shoots that might not have happened had I stuck with the original plan, or succumbed to the easy (more comfortable) exit. These experiences are a testament to the Wayne Gretzky (or was it Michael Scott?) wisdom that you miss 100% of the shots you don’t take.
I’m thinking about the rainbow above Yosemite Valley that I wouldn’t have gotten had I stuck with my plan to meet a private workshop student for dinner—instead, I met him and his girlfriend at the restaurant and insisted that we forego dinner to go sit in the rain, because I thought a rainbow might be possible. Or a very cold morning at Lake Wanaka, New Zealand, when I woke to fog so thick that I could barely see 100 yards. Or setting my alarm for 4:30 a.m. to photograph sunrise, even though I had a 12-hour drive home and the forecast promised a zero-percent chance of rain—only to be gifted a 2-hour electrical storm that ended with a rainbow.
Normally I do the Milky Way shoot in the bristlecones on my Eastern Sierra workshop’s second night, but new permit restrictions thwarted that plan (turns out clouds and wildfire smoke would have stopped us anyway). So I resorted to Plan B, promising that we’d give the Milky Way a try after the Olmsted Point sunset shoot on the workshop’s final night.
But ascending Tioga Pass, we encountered smoke from one of the many wildfires scorching California. The smoke thickened as we headed west, and by the time we arrived at Olmsted Point, we could barely make out the outline of Half Dome in the smoky distance. We stayed long enough to enjoy a red-rubber-ball sunset, then blew off our “wait for the Milky Way” plan and drove back down to Lee Vining for dinner.
Though we were all a little disappointed to be missing the Milky Way shoot, as we queued up at the Whoa Nellie Deli (look it up), I sensed that many in the group looked forward to a warm and restful evening. Still, at one point I snuck out into the cold to check the sky. Seeing that clouds, smoke, or some combination of both had snuffed them, I confirmed to the group that the Milky Way shoot was off.
Walking outside after dinner, I was already mentally back in my room, but nevertheless glanced skyward and was surprised to see stars. Lots and lots of stars. Without the smoke/cloud blanket to hold in what little warmth remained, the temperature felt like it had dropped another 10 degrees. Part of me really, really wanted to pretend I hadn’t seen the stars and just herd everyone to the cars before they noticed them too, but I knew the Milky Way was a priority for many, and this opportunity was too good to pass. When I suggested that we give it a shot, almost the entire group was onboard (I can’t remember whether anyone opted out, but most didn’t). So we drove out to South Tufa, bundled up, and traipsed down to the lake.
I’ve photographed here more times than I can count (it’s possible there aren’t even numbers that go that high anyway), but only once or twice at night, many years ago. I didn’t have a specific spot in mind, but since South Tufa is on the south side of the lake, and the Milky Way is in the southern sky, I figured we’d likely be shooting in a tufa garden, with the lake at our back and the calcium carbonate towers in the foreground.
But walking east along the lake shore in the dark, we came upon a small peninsula jutting into the lake. Despite having walked by this spot countless times, I suddenly realized it might protrude far enough to allow us to shoot southward and back cross the water, toward a few tufa towers, with the Milky Way in the background.
We used flashlights to walk out and set up, but then photographed by the light of nothing but the stars. Working with an entire group out here in the dark, with no more than three very craggy feet of space between the lake at our feet and a wall of tufa behind us, was a real challenge. Each time someone called for help I had to navigate a treacherous route in near total darkness, taking care not to bump anyone, and being very mindful that the slightest misstep could send me sprawling into the frigid, salty lake (not to mention what that would do to the reflection).
Each time I passed my camera, I checked my previous image, made quick adjustments, and clicked a new frame before moving on to the next person who needed help. I only managed a handful of shots, and while they all looked pretty similar to this, that was just fine. We stayed here for 30 minutes or so, then moved on to the tufa garden I’d originally considered. That was nice too, though many of those images were spoiled by someone light painting the tufa nearby.
Looking over the images from that night, I’m reminded not just of the great photography we enjoyed, but also of how much fun we had out there in the dark, doing something we never imagined we’d be able to do. It would have been very easy after dinner to return with our full stomachs to our warm rooms, and turn in early to be rested for our early start the next morning. But I’ve been doing this long enough to know that the best memories often come from the most challenging conditions. If we’d have followed the strong urge to return to the hotel right after dinner, we almost certainly would have been quite comfortable, content, and completely oblivious to what we’d missed. And what a sad thing that would have been.
Click an image for a closer look, and to view a slide show.
Before I get started above, I’d like to know if your online gallery includes all options available for purchase?
Thanks for your interest, Victoria. My online gallery contains most of my images, but not all. But all of the images I post on my blog, website, Instagram, or anywhere else online are available to purchase, so if you don’t see something, just let me know and I’ll make it available. Let me know if you have any questions.