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The bolt was so close that I saw its jagged collision in my rearview mirror, its deafening crack shaking the car less than a second later—three hundred yards, max. “Holy crap!” was our simultaneous (eloquent) response.
Don Smith and I had just negotiated fifteen minutes of natural pyrotechnics unprecedented in our benign, California-sky lifetimes. Obliterating our windshield, flooding the highway, firing warning shots on both sides of the car, Mother Nature was clearly angry at our trespass. This parting shot came just after the rain had eased from opaque sheets to large, individual pellets and we’d started to relax. To these two Californians, rain is a background phenomenon, faint static on the roof and hissing tires on wet blacktop. Earthquakes, which announce their arrival with a rumble and roll that builds slowly enough to allow quick retreat beneath a desk or door jam, are bland compared to the these random explosions that have done their damage and vanished before your brain can register what just happened.
We were in the final miles of a morning’s journey from the Grand Canyon’s popular South Rim to its more isolated North Rim. Safely stashed in the back of the car was the week’s bounty: memory cards, laptops, and backup drives brimming with the Grand Canyon monsoon images we’d come to photograph, including our holy grail, a dozen or so daylight lightning frames apiece. This four-hour detour to the North Rim was a last minute decision with no expectations—whatever we got here would be gravy.
A few minutes later we rolled into the North Rim parking area still buzzing with adrenaline. The thunderstorm we’d just survived had given way to blue skies, so we decided to leave the camera gear in the car and explore. While the lightning was gone, the storm’s rumbling vestiges reminded us not to get too comfortable.
After a quick peek into the Visitor Center to orient ourselves, we headed down to the Grand Canyon Lodge. The cornerstone feature of the lodge, which is perched precariously on the canyon’s north rim, is a large picture window overlooking an expansive deck with an IMAX view across the canyon to the South Rim, ten miles away.
Descending the stairs to the viewing area, we saw people lined up at the window, and stacked two-deep on the deck beyond, all gazing toward the South Rim. It didn’t take long to realize that what had everyone’s attention was a light show dancing across the rim’s entire length. While Don and I had spent the week photographing isolated lightning bolts separated by at least ten minutes, this storm was firing several times per minute. Time to get back to work.
In the short time since our arrival more clouds had organized overhead and Don and I found ourselves dodging juicy raindrops as we hustled back to the car. In less than ten minutes we were tiptoeing back out onto the rim, cameras and tripods in hand. Is this safe? Not only was the storm we were trying to photograph no more than eight miles distant, it was clearly advancing. And there seemed to be other strikes landing much closer somewhere behind us.
Atop a particularly exposed outcrop (with an awesome view!) just below the lodge, I tried to rationalize away all the lightning admonitions I’d read: “Avoid exposed, elevated areas”; “The next bolt can strike ten miles from its last strike”; “If you hear thunder, you’re too close”; “If you see it, flee it”; “If you hear it, clear it”; and so on. At first we set up our cameras as quickly as possible and rushed to (assumed) relative safety beneath a more sheltered ridge while our lightning triggers did the work. But soon, emboldened by the observation that other (presumably lightning-savvy) gawkers were unfazed by the storm’s proximity, we decided to remain with the cameras.
The show lasted about ninety minutes, though the lightning frequency dropped a bit after an hour or so. For variety we’d stay fifteen or twenty minutes at one spot, then move on to a different perspective, eventually making our way all the way out to Bright Angel Point, an elevated knife of limestone sediment protruding a hundred yards or so into the canyon. (In case Bright Angel Point’s elevation and isolation get didn’t get Mother Nature’s attention, the National Park Service has rimmed it with with an iron railing.) And there I stood, as happy as if I had a brain, until the show wrapped up and we went off in search of a sunset location before starting the long drive home.
The above image, taken from the trail to Bright Angel Point, came about twenty minutes into the shoot. The primary bolt is striking Angel’s Gate, about 7 1/2 miles from where I stood. That sounds like a pretty safe distance until you realize that the second fork of this bolt is striking the South Rim near Grandview, also about 7 1/2 miles from Angel’s Gate. The closest strike I recorded that afternoon was about 2 1/2 miles away. I’m sure those with more lightning experience than I will scoff at my hand wringing, and can no doubt share many harrowing tales of far closer encounters, but you gotta walk before you run (and I reserve the right to chuckle as I unpeel them from beneath their desk when that 5.0 tremor strikes.)
For those keeping score at home, here’s the final tally: Gary 51 (bolts), Lightning 0 (photographers).
I thought about suggesting the North Rim for less elbow to elbow crowds. Fantastic shots!
Thanks, Gunta. Yeah, much like Yosemite’s high country in the summer, the North Rim is a good way to get away from the crowds. There were still lots of people, but not an unmanageable number. And at sunset Don and I were the only people at Cape Royal, the prime North Rim sunset spot (in my opinion).
Welcome to the wonderful world of weather photography! It’s the first subject that made me pick up a camera and is very rewarding, yet frustrating, to photograph, as you’ve no doubt experienced. Soon you’ll be chasing tornadoes on the Great Plains. 🙂 This lightning series is fantastic…great work!
Funny you should mention that, Jason. For years, a tornado chasing trip has been number one on my bucket list. I have to see a tornado before I die.
Hopefully you’ll get to Gary. You’ll never (well, hardly ever) see the skies boil in CA like they do in Tornado Alley. I’ve chased storms for years and those skies always pull me back for more. The colors, patterns, and phenomena (lightning, tornadoes, etc) are amazing for photography.