Spring has sprung

Gary Hart Photography: Dogwood and Redbud, Merced River, Yosemite

Dogwood and Redbud, Merced River, Yosemite
Sony a7R II
Sony 70-200 f/4
1/40 second
F/4
ISO 200

I spent most of the last week in Yosemite and can confirm that spring has definitely sprung there. The Merced River, swollen by snowmelt, is overspilling its banks, flooding meadows and submerging riverside trails. Reflections are everywhere, and viewing the waterfalls without getting wet? Forget about it.

Another spring highlight is the moonbow that colors the mist beneath Yosemite Falls. A fortunate convergence of Yosemite Falls’ southeast exposure and the angle of the rising full moon when the snowmelt is at its peak make Yosemite one of the best locations in the world to witness a lunar rainbow. I was able to photograph it three times last week, twice with my workshop group and once with a private tour customer. Easily visible to the naked eye as a silvery arc in the billowing mist, a long exposure reveals the moonbow’s true colors.

But of all the spring treats Yosemite offers, for creative photography I think the dogwood might be my favorite. For just a few short weeks in April and May, these graceful blooms shower Yosemite Valley with splashes of white that remind me of the Fourth of July sparklers of my childhood. But unlike the ephemeral sparks of a sparkler, the dogwood progress in slow motion so I can appreciate them at a much more relaxing pace.

I found this branch at the Bridalveil Fall vista on Northside Drive, about a mile east of Valley View. The river was gold with late light, and the air was still as I went to work on the scene. Careful positioning allowed me to juxtapose three layers in my frame: in the foreground is the dogwood branch with varying degrees of detail; the middle-ground is a blend of heavily blurred redbud and more dogwood; all this spring beauty stands out against a backdrop of the sunlit Merced River. I experimented with different depths of field by varying my f-stop, focal length, and focus distance until I was satisfied.


Yosemite Spring

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Returning to the scene of the crime

Bridalveil Dogwood, Yosemite

 

My Bridalveil Dogwood image is eight years old now. It remains one of my most popular images, and is still a personal favorite because it represents so many of my personal goals for each image:

  • Use camera’s unique vision to reveal nature’s frequently overlooked details
  • Manage the front-to-back plane to create the illusion of depth
  • Guide the eye and create location context with selective focus
  • Render the world in ways that allow others to imagine a world without human influence

My goal that morning, crystalized on the drive to Yosemite, was to juxtapose a sharply focused, foreground dogwood flower against a Yosemite icon softly focused in the background. I wandered Yosemite Valley in a light rain for a couple of hours before stumbling upon this blooming dogwood tree with Bridalveil Fall in the background. To frame Bridalveil with this pair of flowers I had to drag a log over to stand on, and extend my tripod’s center post much farther than I’m comfortable with (the center post is not terribly stable). An extension tube enabled a close focus that exaggerated the dogwood and softened Bridalveil Fall. Focused that close, getting Bridalveil sharp enough to be recognizable required me to stop down to f22. Fortunately there was no trace of wind.

Someone recently told me they overheard a couple of photographers stalking this tree, talking about my dogwood image, hoping they could duplicate it. While I was flattered, this need to replicate images makes me scratch my head. It’s what creates tripod traffic jams in Antelope Canyon on sunny days, at Mesa Arch every sunrise, and beneath Horsetail Fall each February, to name a few. I’m not saying I don’t have my share of derivative images, but they just don’t give me the satisfaction I get from creating something that I feel is uniquely my own. I tell my workshop students that images that move them to action are great, but they should be the starting point and never the goal. In other words, take an image that excites you and find put your own creative twist to it.

For example, while I have no desire to duplicate any image (my own or anyone else’s), I do return to “my” dogwood tree because I love the way it aligns so perfectly with Bridalveil Fall. A couple of years ago I was in Yosemite during an early snow storm. Many (shocked) colorful fall leaves remained on the trees, suddenly fringed with snow. Wanting to create something that showed the collision of fall and winter and still said Yosemite, I thought of this dogwood. Sure enough, I found a host of colorful leaves clinging like Christmas ornaments and composed something that achieved my goal.

Fall in to Winter, Yosemite

The dogwood were blooming beautifully during my Yosemite workshop that ended Saturday, so one morning I took my group to the Bridalveil dogwood tree. Of course the conditions were entirely different, but from what I saw on several LCDs and during the workshop image review, lots of new images were created. I even tried my own hand at something different, breaking out my 100-400 lens and isolating a sunlit branch wide open at extreme telephoto. I haven’t had a chance to see whether I captured anything worthwhile, but I’ll let you know….

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